Ornamentalism. The report according to the international art project "Ornamentalism. Terra incognita. " The author - Alexey Akindinov. "Collection 1", 84 p. Alexey Akindinov: the report text - p. 3-16, the appendix (the list of publications on "ornamentalism") p. 16-31. On materials of the reports read at meeting of "a round table" in the State showroom "On Kashirka" on December 17, 2013 in which artists – participants of an exhibition took part, art critics and teachers of HIGHER EDUCATION INSTITUTIONS. The originator – Chekalina L. I. member of Association of art critics (AIS), MCX, TSH of Russia, corresponding member of the Russian Academy of Folk Art (RAFA), chief researcher of the State showroom "On Kashirka". Moscow, 2014.




Alexey Akindinov. The report on the subject "ornamentalism", on an exhibition "Ornamentalism. Terra Incognita. " State showroom "On Kashirka". Moscow. December 2013.

The declared subjects:

1 . Term "ornamentalism" emergence.

2 . Differentiation of values of the term "ornamentalism".

2.1  Transformation of values of the term.

2.2  Merge of values to fuller disclosure of "ornamentalism".

2.3  Term evolution.

2.4  Demonstration of the concept of "ornamentalism".

3 . My arrival to idea of "ornamentalism".

4 . "Ornamentalism" concept. Chronology of publications.

5 . "Ornamentalism" in easel painting. The publication with disclosure of this subject.

6 . Some authoritative sources which have paid attention to "ornamentalism", and supported it as the new direction in the modern art.

7 . Alexey Akindinov's publications on a subject – an ornamentalism.

Terminology development inevitably accompanies development of scientific thought as any system of knowledge can't be stated without language. "Ideas — Marx speaks — don't exist is torn off from language" (Marx's archive and Engels, t. IV) .

1  .  Term "ornamentalism" emergence.

      When who and in what value for the first time applied the term "ornamentalism" to me it isn't known. In return I hope that over time there will be experts - researchers who will professionally deal with this issue. Probably, collective International exhibition "Ornamentalism. Terra Incognita" will promote emergence of interest to this subject at art critics.

      My report on a subject of "ornamentalizm" is personal, subjective opinion and doesn't apply for art criticism treatment of this subject as I am not an art critic, but only the artist.

2 . Differentiation of values of the term "ornamentalism". (Transformation of values of the term. Merge of values to fuller disclosure of "ornamentalism". Term evolution. Demonstration of the concept of an ornamentalism).

         Stories are known cases when the same term, got new, excellent from previous, values. It is a lot of examples and replacement of values, previous – new. For example: proceeding from the Oxford dictionary of English, a word meaning "snapshot" (English), for the first time this term was recorded in 1808 by the English athlete by the name of Andrew Hoker. He wrote in the diary that each bird shot by it this day was lost from "picture", that is – a fast, unplanned shot. The word "picture" was at that time used only as the hunting term. Is as examples when new value of the term was more global and perspective, taking minds of contemporaries, forming thereby communities of adherents. Objective signs of such phenomenon in the fine arts can be: carrying out thematic exhibition projects - both personal, and collective, the concept formulation with the subsequent publication in printing editions, authoritativeness of sources of printing editions. And also - the prolongation, being shown emergence of a number of thematic projects for several years, emergence of the similar projects which are carried out by other author or collective, not connected with the previous initiators, emergence of disputes and discussions on this subject.  Further, giving any facts, I will try to accent the moment on an opublikovannost of materials in the paper periodical press as only competently built chronology of these or those studied moments will be able to promote the objective analysis. I mean possibility of check of sources of information by "competently built chronology", by means of acquaintance with the dated publications.

         In the report I will state the way in an ornamentalism and my treatment of this term. This treatment is other value of the term "ornamentalism" as to me values of this term as are known: literary reception and way of an ukrashatelstvo in architecture and arts and crafts products. Term "ornamentalism" application in these areas is recorded by very few publications links on which are rather avariciously submitted on the Internet. Some of links are based on the paper publications, dated the earliest - 2003, for example: Source - Schmid of W. Narratologiya. - M.: Languages of Slavic culture, 2003. - page 263-267. Or: 2011, source: The English-Russian dictionary on sociology. 2011: "The term – an ornamentalism. Value - culture of decoration of various subjects, including architectural constructions, samples of applied art".

       On me to not checked sources (according to publications on the Internet), the term "ornamentalism" as was applied in 1977 the architect Robert Stern, defining approaches in modern architecture, it designated three his principles: kontekstualizm, allyuzianizm and ornamentalism (the source isn't known for me and respectively - it isn't checked).

      I will make a reservation that on the Internet I treat texts carefully as they have to be checked by publications in paper form. But, anyway, in these publications, the treatment of value of the term "ornamentalism" was reduced to one - "embellishment reception". The main thing – and what such "ornamentalism" didn't reveal? I can assume that such term as an ornamentalism could be used from the middle of the seventieth years (probably and earlier), but the published concepts (manifestos) on this subject wasn't found by me. Especially, this term wasn't applied in any way in relation to easel painting, till certain time (I will report about time of a release of the first publications opening a subject of "ornamentalism" in easel painting I a bit later).

      I will try to tell the story "registrations" of idea of "ornamentalism", the translation of its value from "esthetic whim" and "a technical delicacy" in new value, to be exact – new style which has the accurate concept and extends not only on the fine arts, but also on outlook and philosophy as a whole. As I on the specialization am an artist – the painter, more it will be a question of "ornamentalism" application in easel painting, with a statement published and recorded in the paper periodical press (newspapers, magazines) concepts.

      3 . My arrival to idea of an ornamentalism.

         Initially, as soon as I entered on a path of the fine arts, my aspiration was to create something not only the, but also new. In many respects it was caused by influence of teachers who else at children's art school, except teaching of elements of realistic painting, put in children aspiration to identity, an otlichnost from others. My teacher Valery Erikovich Cheryomin was such. At drawing lessons it showed us illustrations of pictures known (and not really) artists who differed own vision of the world. Among them were: Van Gogh, Picasso, Dali, Churlyonis, Lentulov, Kandinsky, Malevich. Our teacher set for pupils non-standard tasks, for example: draw the world, such as it is seen by a dragonfly, a cow or a dog, a bird. We already knew that each of these living beings has a peculiar vision of the world, differing special characteristics. Our school drawings were the first attempts on a way to identity. Valery Erikovich noted that in my pictorial works there are peculiar features, he spoke: "Lyosha, you write as Chinese, long and thin dabs".

    Then, in 1992, having arrived in the Ryazan art school, I plunged on a bit different Wednesday. The teaching structure on the first courses suppressed in us identity and my teacher of painting – Korsakov Victor Vasilyevich, seeing that I write in a manner, other than realistic painting, Akindinov spoke ", write at least one work for me as I want". Among students, opposite – there was an aspiration to be allocated with something original, and almost each of us looked for the manner of painting. Students were each other cruel teachers, without choosing expressions, frankly spoke to the fellow student about influence of this or that master. Someone imitated Renoir, someone to Vrubel, someone to Van Gogh. I imitated Salvador Dalí, being fascinated by his creative courage, integrity of light and shadows, originality of forms. But all our attempts were only attempts and in anything didn't pour out for the time being. In 1995 - 1996 there was a change, absolutely independently from each other, everyone on the, by the ornamental beginning in easel painting, some artists began to gravitate: Sergey Preobrazhensky, Tatyana Evstegneeva, Andrey Nazarov and I. But if at them these searches of new "form" weren't invested with a theoretical cover, me as "a lightning lit up". Those years, having studied Salvador Dalí's memoirs, I was we will gain idea of creation of new style. Dali wrote: "I predict the birth of new style, I already see how it opens the fine leaf of an okant …" ("The diary of one genius", 1964 of S. Dali)

    Creative race began. In my head the concept was born. I solved, - it is necessary to combine (to synthesize) realistic receptions of the image; observing linear and air prospects, laws of a treatment of light and shade and heat - coldness, with stratification on they are ornament images, having created effect of raying of reality through a pattern. I thought of it: "Oh, what wildness! ", and at me spirit captured from incomprehensibility of an embodiment and a presentiment of versatility of use of this method. Having shared the idea with the fellow student Sergey Preobrazhensky, having shown him the first pictures in this style, I received such comment: "Alexey, such can't be and shouldn't be, it isn't correct. It is impossible to layer an ornament on the volume of figures. It is necessary to turn into an ornament and contours of subjects, creating from the image only effect of the plane stylized mosaic". Tatyana Evstegneeva told: "Don't think of style, he will come …" and only Andrey Nazarov supported me, wanted even to write with me a joint picture.

     In 1996, on reporting viewing of student's works, in the Ryazan art school I showed some ornamental compositions executed by oil on a canvas. On viewing there were about ten teachers among whom was and invited - the National artist of Russia – Mikhail Abakumov. Except teachers, the hall was overflowed more than one hundred students. During demonstration of the pictures, I explained to teachers and students that I look for new style in art. The essence of my development consists in stratification on the real image of an ornament. The name of style is in search, and at that time I had three options: "Uzorizm", "Ornamentaizm" and "Ornamentalism" (I had no the idea of existence or not existence of similar terms, all three were thought up by me, it isn't dependent on that, there were they earlier or not). Teachers were surprised with such impudence and courage. Generally I heard approval words. Some even started giving at once advice as it is better to apply such method. For example, the teacher of painting – Kovalyov Alexander Mikhaylovich told: "In that case, it will be simpler to you to create in the beginning the ornamental invoice on a canvas, and then, over it to register a plot". The sculptor – Natalya Tyukina asked me: "Here it is interesting and how sculptures will look if to apply your method? " The national artist – Mikhail Abakumov took an interest at me how I came to this idea, it interested - under what circumstances it occurred (he meant: visions, dreams, voices). I had an impression that I talk to the psychologist and the researcher. Tatyana Vlasova criticized me a little, having stated the idea similar to idea of Sergey Preobrazhensky: "In your pictures, on bodies of people the ornament looks as a tattoo, it isn't esthetic. In a case with a human body you should look for more interesting courses of an ornamentation". My teacher – Korsakov Victor Vasilyevich was laconic and supported original undertaking, having told: "You set the supercomplex task for yourself. You after all should continue to study realistic painting in RHU and at the same time to perfect the style. Dare! " From this point I started working much on pictures, in the style of "ornamentalism" designated by me. After writing more than ten cloths, I understood - development of the similar direction is so rich and various that it can be compared to development of a kimberlitovy tube. I felt feeling that I collect a heap of diamonds, emeralds and semi-precious stones which rolled on the road, before not seen and not lifted by passersby in the bag. I hurried, and by 1998 I could hold the first personal exhibition in the Ryazan art school where showed the pictures executed in ornamentalism style (I chose for style this version of the term from three). From this point teachers that allowed me to participate in Regional exhibitions began to treat me more seriously. If to speak about the first publications by which features of ornamentalism style were recorded, they arose since 1998-1999 when I attracted attention mass media. I will make a reservation;  below I will give some first publications found me (probably, there were also others, at present - not found).  So, about features of an ornamental creative manner I for the first time read in newspapers:

           "The Ryazan Sheets", Wednesday, February 24, 1999, No. 41 (486), "A dream of the boy … about study and glory". The author — Elena Bannikova.

Quote: "The daylight in a picture as though materializes in the patterns scattered on all cloth. The abundance of flowers and the patterns, the ornament entered into images create, with words of one of spectators, impression that you look at works as if "through tulle", and are one of features of a creative manner of the young painter".

           "The independent Newspaper" (on September 25-27, 1999) Moscow.  "Awakening of Ryazan.  In the cities of Russia the Cultural Heroes of the XXI Century festival proceeds.  The author — Andrey Hripin.

Quote: "In the Museum of youth movement of an exposition of pictures were crossed with plastic performances and literary vigils. 22-year-old Alexey Akindinov's works are performed in equipment at once clinging an eye - the image ("Aphrodite and the garbage", for example) appears through a whimsical web of a lacy ornament."

           In February, 2000 the first thematic exhibition project (with the declared concept), devoted to an ornamentalism - "All a pattern" took place. (A personal exhibition in the Museum of history of a youth dvideniye in Ryazan). The material about an exhibition with the corresponding concept, was published in the Ryazanskiye Vedomosti newspaper (2000.02.24), No. 35 (774) of p. 4. Article "Alexey Akindinov's All Patterns". The author - Tatyana Bannikova.

The term "ornamentalism" in value as - the new direction (in particular in easel painting), is recorded by me from publications:

Newspaper "Youth environment", on November 14, No. 41 (143), p. 11. 2001 Ryazan. "All wood in rubies, in amber honey". The author — Maya Martolina.

Quote: "And a culmination point of the art exhibition "Fall — 2001" there was an acquaintance to the young artist – the innovator Alexey Akindinov. The author presented to spectators three mysterious pictures: "Sign", "Terniye", "Is Saint", to decipher which contents to the mere mortal not in power. However, as a result of conversation with the author it became known that the artist here with enthusiasm works the fifth year in the new direction of painting – an ornamentalism. Alexey's pictures are saturated with historical symbolics, the deep philosophical contents. In the creativity the artist often addresses to Old Slavic mythology. The artist A.Akindinov on – new sees the world - fine, wise, changed and … reconciled".

   After the «In total Pattern» exhibition, since the second half of 2000, in Ryazan a number of the thematic exhibition projects propagandizing and developing a subject of an ornamentalizm took place. Some of them: "Mesh image" (fall of 2000 gallery at Junior library), "OrnaMentalnost" (2006. The Ryazan drama theater), "Ornamentalism 2010" (Palitra Art salon gallery) ", under the flag of an ornamentalism" (2013. Museum of history of youth movement).

       Since 1999, I try to position through mass media an ornamentalism, as new style in art. From now on (on the today's moment) I left on this subject, which complete list I specify a number of publications in the appendix. Their about about two hundred, from which about fifty – All-Russian and around ten foreign. Since 2002 itself I dispatch by mail booklets with the creativity (color reproductions of pictures) and with the declared concept of an ornamentalism published earlier in the Moskovsky Komsomolets newspaper (the quote and a source are specified in the section "Ornamentalism Concept"). Addressees are: the museums, galleries, showrooms of Russia and the abroad (receipts on sending letters are still stored at me and fill with itself the whole suitcase). Gradually it leads to introduction of a subject of an ornamentalism and the address of attention to it from authoritative sources (the list is provided in the report end in the section "Authoritative Sources").

            Since 2006, the similar projects which participants aren't connected with a circle of the Ryazan ornamentalist start arising. So: in Moscow, the artist Elena Kovylina in 2006 carried out the exhibition project "Hidden Patterns" in room gallery "Cheryomushki". But here it should be noted that it was carried out after the All-Russian Culture television channel announced the Ryazan Ornamentalnost exhibition, having given the reference to my site where ornamentalism concepts were in detail stated. Thanks to the Internet, exchange of information became more available. I was engaged in search of adherents. So, I learned about the artist from Perm - Dmitry Zemlyanin (Zarubin Jr.) who designated the style as "A figurative and ideographic ornamentalism" (the dated publication in paper form isn't specified by the author). According to the Internet of the publication which has been laid out in a network, Dmitry started working in this direction since 2001. As I found works of the artist Rinat Voligamsi (Rinat Ismagilov) who embodied the ornamentalism concept in some pictures, but theoretically it didn't begin to designate. Approximately in 2007 in the Internet I found the artist Roman Krivosheyev or (Ramón Ramirez) who positioned itself as an ornamentalist. In it the provided texts on an ornamentalism it used some fragments of my interviews (places it is paraphrased, and somewhere so-called, but without indication of my authorship). Among the modern foreign artists gravitating to an ornamentalism, I can enter such names as: Jason Krause (USA), Suyeon Na (Korea), Sagaki Keith (Japan).

       Since second decade of the XXI century, I noted the avalanche hobby for an ornamentalism subject, emergence round it of discussions, disputes and some nervousness.  I would tell that the atmosphere of an ornamentalism began to be electrified.

       Using "language of physicists" - there was a chain nuclear reaction when "the idea soaring in air", attracted to each other adherents, having broken thereby a barrier of "the critical weight".

Thanks to scale of the International collective exhibition "Ornamentalism Terra Incognita" which has brought together about forty participants from the different countries, it became clearly visible that an ornamentalizm it "not a technical delicacy or esthetic whim, and a polnoprvny current in the modern fine arts" (as someone from journalists wrote a few years ago).

4 . ORNAMENTALISM'S CONCEPT. Chronology of publications.

   Exhibition projects carried out by me by itself pushed to the description of the concept of "ornamentalism" as the audience (both professionals, and inhabitants) had interest to this direction and respectively many questions.

The first recorded (published) phrases reflecting the concept of "ornamentalism" were:

The Moskovsky Komsomolets newspaper in Ryazan. On March 14-21, p. 11. No. 11 (217), 2002 of. "Alexey Akindinov's patterns", the Author — Lyubov Suskina.

Quote:" In school there was an art style inherent only in it which the artist characterizes as an ornamentalism... "Our world, - Alexey considers, is the world of electromagnetic waves. Wave no other than pattern. It penetrates all spaces, being invariable essence of any phenomenon". The pattern for it is a symbol of space, infinity. It embodies idea of a pattern in painting, layering it on the real subjects represented on a cloth - on a certain plot, a landscape or a portrait. Through a prism of decorative patterns Alexey looks at the world. So it seems to it more convex, stereoscopic. Over time patterns became thinner, more intricate. Alexey Akindinov is in the power of the world of patterns. Even in a transformer sound where the electricity flows, he feels a rigid, prickly geometrical pattern. "Earlier, when I didn't know language of symbols, - the artist admits, - I all the same applied it intuitively. Then, having deciphered the pictures, I was surprised to penetration of sense of patterns into a picture subject."


       Since 2003, in a number of paper publications the concept of "ornamentalism" reveals more fully:

«Ryazanskiye Vedomosti» newspaper, on March 27, 2003 No. 56-57 (1565-1566).

«Ryazanskiye Zori» newspaper, on September 3, 2003 No. 65 (11165). Galina Ivanova's article "It" turned eyes pupils in soul". (Galina Ivanova: the specialist in museum management, the specialist of the literary museum, yeseninoved, the research associate managing scientific and exposition department of the State memorial estate of S. A. Yesenin from 1976 to 1996, the writer, the journalist. )

         Quote: "As Alexey Akindinov, signs, symbols admitted his pictures — it the words said in a prayer. He is convinced that the pattern bears in itself any unknown force, gives a much bigger associative impulse, than a spot or color … Him call an ornamentalist. His pictures perceive as organic merge of traditional classical and vanguard painting, an ornamentalism and realism. The twiddle of his letter bears in itself force passing into the invoice of a picture, in uniform color. Stratification on the real image of a decor creates movement, feeling of air space".

... "The artist Alexey Akindinov works in absolutely new direction of painting which itself defines as an ornamentalism"..."The concept of my painting reflects essence of our world. The world is penetrated by electromagnetic waves. (Waves no other than pattern, ornament). They get everywhere: in faces of houses, in faces of people, plants — I transfer them to a canvas. Everyone can see these patterns, it is enough look at the sky and long look in its depth. Any ornament has the semantic code, as if the code of the key opening knowledge of the world. My studying of a twiddle led me to that treasured door behind which the new secret is. Pattern and ornament basis — this division of the most parts on smaller and respectively addition from smaller in big. Infinite plurality.  My idea denies existence of indivisible elementary particles. There is a framework — the scheme of the directions: inside — in a microcosm and out of — in a macrocosmos. Metagalaxies consist of galaxies, a galaxy — of star systems, those is from stars and planets, a planet — from molecules, a molecule from atoms, etc. (neutrons, protons, quarks). We — people with the life and life — it only a link in an infinite chain of continuity. Plurality — it as reflection of one mirror in the friend, giving feeling of a close corridor. There is an infinite number of ours "I" and exists at the same time. Time doesn't exist, only the consciousness moves a small droplet on infinite number of different opportunities. It as a long tape with film frames, at all a tape, and cells or honeycombs. The consciousness soul moves on these cells. Its movement, obviously, submits to any laws, probably, to ornamental channels. The present — where there is your unit of consciousness. Only it — that elementary and indivisible particle which doesn't allow the whole world to go crazy. The ornamental channel — is some kind of personal code of each unit soul. Usually it call destiny: movement of consciousness on those, instead of other cells. Having in hands different keys, it is possible to open some doors. It is necessary to know only, where they. Death of soul — unit loss. Exception of movement on cells — lack of a key" — so the artist defines an essence of the vision of the world and an essence of the manner of the letter."

     ... "When I look at Alexey Akindinov's pictures, to the memory involuntarily recur Sergey Yesenin's words from "Maria's Keys" (the poetic treatise, 1918): "The ornament — is music. Ranks of its lines in the most wonderful and very thin distributions are similar to a melody of any one eternal song before a universe. Its images and figures any one continuous church service living at any o'clock and on any place … The very first and main branch of our art since we started themselves remembering, was and there is an ornament".

          Science and Religion No. 6(2003) magazine, 2 p. of a cover (color. silt. ) p. 39 — the article "Pattern of Sacred Signs" (circulation of 20000 copies) ISSN 0130-7045, Moscow. The author — Alexey Akindinov.

Quote: "I perceive all our world "in language" patterns. The pattern for me is a means of communication; I feel it even in a smell and in a sound.

For example, the sound of an organ music for me is connected with a strict geometrical ornament; color its deep, not striking – brown-greenish. Once you hear a flute, in imagination there is the cheerful vegetable pattern painted in colors white, yellow, bright green, - as wild flowers.

         Catching a smell of good spirits, I represent a flower pattern – bright, beautiful combinations of shades. But if spirits have heavy aroma, and "patten" associations negative. For example, one my acquaintance bought very expensive perfume and, rejoicing to this circumstance, decided to show them to me. And I thus saw at once gray-pink color and it became covered by the pattern reminding fish scales …

There is also a feedback. When I see carpets, wall-paper or simply any pattern, I hear music of this carpet, a sweater or walls, I feel their "perfume". The decor on a dress can smell as a jasmine, or pepper and a coriander, or sea mollusks. And to all this the banal smell of naphthalene – because is often added that things hung in clothes where poisoned mol: there is an imposing of smells associative on real "naphthalenic spirit" which, however, in turn creates own unique pattern of silvery and gold color in my imagination. In a form reminding wings of a moth …

I am convinced that all sense organs have ornamental structure. Isn't an exception and the "sixth" feeling – intuition which the mysterious signs informs us that was, is and will be.

       Having seen my pictures, the art critic Anton Uspensky told: "It is some kind of restoration yet not created masterpiece. The masterpiece isn't created yet, and it already restore". Interesting record was left in my visitors' book by the daughter of the known Russian artist Mikhail Abakumov: "The pattern in your pictures is a projection of plans of last eras to the present and even dullness". But one, not signed response appeared the most beautiful: "A pattern as the key makes sense; here if to learn the law of a carpet …"

     The law of a carpet isn't known even by me. Though I can read many signs and symbols. Sometimes goosebumps go on a body when I see how people apply this or that sign as a decor, without knowing its sense. And after all quite often hit the nail! For example, going by a building site, I saw a repeating bas-relief sign on a concrete fence. It designated a four-pointed star. This sign is deciphered by me, as danger which can cause bad consequences. Behind this fence built a skyscraper so the prevention was useful.

And to our readers I want to present a sign of an eight-pointed star mentally; it bears in herself a kind charge and foretells something very good …"

          «Ryazan Business Magazine» magazine, February 2006, No. 3(18), p. 106-107. ISBN 460-1-35700-019-2 "Akindinov's figured dreams". The author - Mikhail Kunitsyn.

Quote: "On the first catalog of works of Akindinov the last two figures in date of birth incidentally traded places. On these this now to the artist there has to be only the ninth year. But this mistake isn't casual: then Alexey came to the unique graphic style which he called an ornamentalizm.

           - It was hard to grope the style. I perceived for a long time reality as imposing of various waves and patterns but how to express it in paints, didn't know. Once I dreamed about the man drinking from a mug with a convex pattern, then the pattern extended on the person, flowed on a figure of the person, boldly filled a background with fluid interlacings, - Alexey remembers.

Still when Vachovski's brothers took away each other the first movie camera, Alexey felt surrounding, as Neo in the enlightenment: eternally fluid patterns from a set of signs. On a canvas – the relief layer consisting of a convex pattern, covered an ornament from signs and symbols, figures of people and the objects, besides weaved of patterns, and all this fancifully intertwined among themselves, bewitching the viewer. Ornamentalism lets know at the same time the whole world, - the artist" smiles.


5 . Ornamentalism in easel painting. The publication with disclosure of this subject.

«Arts council» magazine. No. 2(66)2009, p. 25-29. Moscow. ISSN 1816-0212; ISBN 977-1-81602-177-0 (00209), (circulation of 10000 copies) Article "Birth of live patterns. How to be original without being beyond traditional character". Heading "Master class". The author — Alexey Akindinov.

         Quote: "I understood that in my case, applying a pattern in easel painting, there was a transition of value of an ornament from the decorative (embellishing) plane in the integral, equal element of realistic space which accompanies and "joins" the subject line of work. It is some kind of "evolution" of the pattern which has grown from the applied value, for the further growth and maturing in new quality. It follows from this that the field for processing methods of oil painting extends, but in that - time will be a question of painting of easel character, a basis of which oil technology, have to be kept in the base...

        Applying an ornament in realistic painting, I approached to several ways of its embodiment. Sometimes the ornament is interwoven into my works already at a development stage of the first sketch. Sometimes, the first ornament starts appearing on a canvas, together with drawing of a plot put on it. Sometimes, some independent layers of painting bearing in different plastic forms which already then I definitely "pull out" for a look of the viewer are created. And sometimes the ornament appears in the latest, finishing part of work on a picture. Such variety speaks both experimenting, and desire more versatily to apply it in easel compositions, it gives feeling of life in creative search... The ornament choice for a picture too isn't casual. It is possible to reflect sense of a picture not only by means of the subject line, but also by means of sign and ornamental structures. It is desirable that – different interpretations in a plot and an ornament weren't. It is one of the professionalism indicators, relating to such painting... When drawing a small ornament, I consider a form, volume and character of subjects. Through what - that time all surface of a canvas turns out interweaved by a small whimsical pattern. Sometimes for achievement of the smallest ornament, even I apply metal feathers. I dip them in paint of the necessary color and calligraphical I take out the thinnest threads of ornaments..."

    6 . Some authoritative sources which have paid attention to "ornamentalism", and supported it as the new direction in the modern art.


The all-Russian State TV channel "Kultura" (Russia To).  Z@gruzka broadcast.  November 30, 2006.

Quote: "10 years to an ornamentalism – the direction in art which was thought up by the artist Alexey Akindinov were executed, to this date at the Ryazan regional drama theater the Ornamentalnost exhibition opened. Alexey with adherents consider that the world is a most difficult ornament which needs to be understood, or at least to draw. It is possible to estimate world ornaments on a site "akindinov.com".

Link: http://old.tvkultura.ru/news.html? id=131668

         Oksana Yermolaeva-Vdovenko (art critic, curator of exhibitions of modern painting, journalist). The Russian Gallery XXI Century magazine (Moscow), No. 8-9/2009, p. 50-52 (color illustrations), circulation is 5000 copies of ISSN 2075-0986, the heading "Winners". "Alexey Akindinov. Nomination "Genre Painting".

Quote: "Alexey Akindinov developed the, unique manner of the letter which defined as an ornamentalism. From the moment of writing of his first pictures in this style, passed fifteen years. During this time Alexey had to pass a hard way of formation of, as outstanding creative person. It overcame as resistance from colleagues who didn't understand in the beginning and didn't accept its creative searches, and difficulties in searches of new style".

        Alexander I. Rozhin (art critic, Academician, full member of presidium of the Russian academy of Arts, editor-in-chief of the Tretyakov gallery magazine). Article "Ornamental reality. In a texture of live patterns". Arts council magazine (Moscow), No. 3(61), 2008 of, p. 48-49. (color. silt. ) ISSN 1816-0212; ISBN 977-1-81602-177-0 (00308) (circulation of 20000 copies)

       Quote: "The young painter Alexey Akindinov developed a special manner of the letter which itself I defined as "ornamentalism", offered the system of philosophical treatment of art motives. The works created by it synthetic unite various cultural traditions and schools of sciences. It builds comprehensive picturesquely – plastic combinations of the diverse graphic elements making figurative fabric of its works.

     Akindinov enters ornaments and the patterns having something in common with the Persian arabesques, signs and the symbols filling it of a picture with coded sense, causing ambiguous associations into picturesque structure... At Alexey Akindinov the ornament penetrates all visible field of a picture... Alexey goes further, he makes synthesizing: applying an ornament in easel painting, layering ornamental structures of a certain color on ornaments of complementary colors, creates feeling of awe of air space. There is a wonderful birth, transformation of rigid, graphic ornaments on picturesque Wednesday... Alexey creates ornamental, general "fabric" of a picture, and is transparent covers with it all plot and foreseeable space represented, subjects without losing recognition, get the ornamental invoice or structure... Alexey Akindinov tries not to split and destroy a form represented, and on the contrary to synthesize and alloy it.  It is visible from aspiration of the young master to keep proportions, to show a uniform light source (display of light, shadows, penumbras and patches of light), air and linear prospects.

Besides heritage of the principles and bases of masters of last eras, Alexey Akindinov created new, the creativity designated a fresh side in development of the modern fine arts. In his pictures the space not only carries away the audience in the represented plot as in realistic painting, and isn't one plane - as in a decorative panel, but such effect is created that represented as if soars before the canvas plane, creating holographic effect... Reality and ornamentalnost combination, "alloyage" of diverse elements in uniform fabric of work, creation of the general state of nature in a picture - here the main distinctive feature of our author defining figurative dramatic art, poetics and philosophy of the author. His pictures it is ornamental reality, life of patterns... Signs of the nature and civilization signs, signs of human soul and signs of the supersensual superhuman world intertwine in Alexey's creativity, creating the unique sinesteziyny pattern. "Our world is the world of electromagnetic waves. Wave no other than pattern. It penetrates all spaces, being invariable essence of any phenomenon. Earlier, without knowing language of symbols, I all the same applied it intuitively. Then, having comprehended its bases and having deciphered the works, I was surprised with coincidence of sense of patterns to a picture subject. " - Alexey Akindinov shares a find..."

   Grazhina Bobilevich (Professor of institute of Slavic philology of the Polish academy of Sciences, art critic, literary critic). Article "To history the eseninskikh of portraits: Sergey Yesenin in the image of the artist Alexey Akindinov (experience of preliminary interpretation)".

It is published - the Modern Eseninovedeniye magazine. Ryazan. 2013 . No. 25. P. 3 - 18. (9 illustrations, including 7 color and two b/w photos).

The report text for the first time is read on September 27, 2012, at Institute of the world literature of name A.M. Gorky, the Russian Academy of Sciences, within the International scientific conference "Sergey Yesenin and Russian History" devoted to the 117th anniversary since the birth of S. A. Yesenin and Year of the Russian history.

           Quote: "Akindinov – the author of the new direction of painting, calls the style, a letter manner, vision of the world and philosophy as "ornamentalism". It is known that Yesenin from the teoretiko-esthetic point of view and poetic practice emphasizes primordiality of an ornament and its leading role in hierarchy of arts. Accenting its "filosofichnost", an originality "the Russian spirit and an eye", the poet plans and enriches ways of original development of domestic art. Speaking about rituality, "music" and "architecture" of an ornament, the poet considers that it – "the very first and main branch in art".

Links: http://esenin.ru/zhivopis/akindinov-a-p/bobilevich-grazhina-k-istorii-eseninskich-portretov.html

The list of participants and a subject of reports on IMLI site of A.M. Gorky (Russian Academy of Sciences): http://www.imli.ru/nauka/conference/rusist.php

     7 . Alexey Akindinov. The list of publications on a subject - an ornametalism.

(annex to the report).



The catalog to the All-Russian exhibition - "Russia - 9", – TsVZ - "Arena", 1999 Moscow

The catalog to the All-Russian exhibition - to "Your Name", devoted to the 2000 anniversary of Christmas, the Central House of Artists, 2000 Moscow

The magazine - "NOMI. " - the New World of Art, 1/30/2003, p. 70 – "Alexey Akindinov: "it is almost impossible to be the demanded painter in Ryazan …", the author of article - Vera Bibinova of Sankt – Petersburg.

The newspaper – "Our Isocount. " Moscow No. 3 (107) March 2003. P.15 "Reminiscence from the childhood. " the author of article - Oleg Kalmykov

The newspaper of the Government of Moscow – "The Tverskaya, 13" on March 15, 2003 Saturday No. 32(668) of p. 7.

"Reminiscence from the childhood", the author of article - Oleg Kalmykov.

The newspaper – "The independent newspaper" 1999 on November 25-27 "Awakening of Ryazan", the author of article - Andrey Hripin, Moscow.

S.H.R.F newspaper. "The artist of Russia" No. 1 - 2 (114-115), on September 24, 1999 – on March 29, 2000. The annex to No. 1-2 (114-115) of March 29, 2000, Moscow

The magazine – "Science and Religion", No. 6, 2003 of, p. 39, - "A pattern of sacred signs" and p. 2 cover, the author of article - Alexey Akindinov, Moscow

The newspaper of the Government of Moscow – "The Tverskaya, 13", on April 17, 2004 No. 48, p. 7, Moscow, the Capital Poster.

Annual Katalog-Spravochnik-"Art of Russia" 2007 No. 6, Publishing house – "M. SKANRUS" Moscow, p. 42-45.

The magazine – "The Moscow Magazine. ", No. 5, 2007 of, History of the Russian State. 1-2str. cover, both color tab, and p. 32. The author of article I. I. Mager – "Alexey Akindinov's pictorial works". State Unitary Enterprise Editorial Office of the Magazine Moskovsky Zhurnal. Istoriya Gosudarstva Rossiyskogo. Moscow.

The book – "Realism of XXI of an eyelid. " - the author of article Alexander Ivanovich Rozhin, the art critic, the academician, the member of Presidium of the Russian academy of Arts, the editor-in-chief of magazine – "Tretyakov gallery", publishing house – "M. SKANRUS" Moscow, p. 6-9.

The magazine – "The Russian Gallery XXI of eyelids. " No. 4/2007, p. 25-28, "A pattern with seven zero", the author of article - Vera Novikova. Publishing house – "Panorama", Moscow

The catalog on - "V – an exhibition – competition, Victor Popkov's name. " The international Art Fund of the Moscow association of artists – MHF, 2007 of p. 5 and 60.г. Moscow.

The annual Catalogue – the reference book – "Art of Russia. " No. 7. Publishing house – "M. SKANRUS", 2008 of p. 24-31, and 465. Moscow

The magazine – "The Russian Gallery XXI century" No. 1/2008, p. 8-13, Moscow. Publishing house – "The Panorama."

The catalog on an exhibition – "Art Salon", the Central House of Artists, Moscow – 2007.

The encyclopedia – "WHO IS WHO In RUSSIA. " The encyclopedia contains biographies of successful people from various fields of activity: economy, politicians, cultures and arts. November 19, 2007. Corporation - "The International Business Who is Who Corp. " (Panama), publishing house – "Who is Who, Verlag fur Personenenzyklopadien AG" (Switzerland)

The catalog to the Interregional art exhibition - "Youth of Russia". Under patronage of the Russian President's Plenipotentiary in the Central federal district G. S. Poltavchenko. The All-Russian creative public organization – "The union of artists of Russia".стр.48; 76.г. Saratov, 2008.

Magazine - "Arts council" No. 3, 2008 of. "GAMMA publishing house, Moscow.

The magazine - "Studio D’Anturag", p. 61 headings - "A private collection" May-June, 2008 Moscow. "Alexey Akindinov. All secret becomes obvious". Inna Ovcharova.

The catalog - "Winners of the National award in the field of the modern fine arts of Russia - "The Russian gallery XXI century of eyelids" 2008 Moscow, Publishing House - "Panorama". P. 2 cover and p. 20-23.

The catalog on "The first International competition - "A death subject in the modern art", p. 75-76. 2008 on October 28-30. Moscow. All-Russia Exhibition Centre. pavilion No. 20

The catalog on – "The VI exhibition competition of a name of Victor Popkov". International art fund. Moscow association of artists. MHF. 2008 of p. 6; 62

The magazine - "Science and religion".декабрь 2008. P - 1; 2, cover, 52 p. "The wanderer on another dimensions". Aydinyan Stanislav.G. Moscow

The catalog – the reference book - "Art of Russia", release No. 8. Publishing house - "M. Skanrus". 2009 P. 26-33; 393.

The magazine - "Studio D' Surroundings", No. 5-6,2008. "Rewarding of Winners of the National award in the field of the modern art", p. 67

Magazine - "Arts council" of.№2(66)2009, p. 25-29. Heading - "Master class", "The birth of live patterns. How to be original without being beyond traditional character. " Alexey Akindinov

Album - "Realism of XXI of an eyelid". 2009. Publishing house - "M. Skanrus". Author of article A.I. Rozhin. Moskva.Str.14-17

The book "The annual catalog – the reference book "Art of Russia", release No. 9. Publishing house - "M. Skanrus".2010г. Moscow. P. 18-25 and 369

The magazine - "The Russian Gallery XXI of eyelids" No. 8-9/2009.g. Moscow. Publishing house - "Panorama". Heading - "Winners". "Alexey Akindinov. The nomination - Genre painting". The author of article - Oksana Yermolaeva-Vdovenko, art-critik. P. 50-52.

The newspaper - "The Independent Newspaper". "Scenarios" No. 9(102), Tuesday December 22, 2009, p. 16. Heading - "Lifestyle", the author Roman Shmarakov.

The magazine - "The Russian Gallery XXI of eyelids" No. 1/2010. Moscow. Publishing house - "Panorama". Heading - "Winners". "Alexey Akindinov. The nomination - Genre painting". p. 22-23.

Album "XXI Century Realism" of 2010. Publishing house M. Skanrus, Moscow. The author of article – Alexander Rozhin. P. 18-21 and 183.

Russian Mir.Ru magazine. Moscow, November 2010. p. 5; 90-93 . "Ornamental approach". Zoya Mozalyova.

“Na Zapade Moskvy” newspaper. Weekly newspaper of the Western administrative district of Moscow. On November 6-12, 2008 No. 44(79). P. 7. "The music flowing from cloths". On a collective exhibition in "The Great Patriotic War museum" Elena Bukolova.

Catalog on the Peacekeepers exhibition competition - "Peacemaker", World Alliance "Mirotvorets", No. 1 2010, III Annual award "Talent and Calling", Greatest "Creators" of the present, "Alexey Akindinov. Ornamental reality. " p. 70

NOMI magazine, No. 5(64) of 2008 of p. 94, art chronicle of regions: Ryazan. On September 11, Gallery - club of Regional junior library. "The second approach". Alexey Akindinov. Ornamental painting.

Album "Art of Russia No. 10. 2011". M. Skanrus publishing house, Moscow. P. 20-29; 339 .

Album "Art of Russia No. 11. 2012". M. Skanrus publishing house, Moscow. P. 18-23 (color silt. ) ; 339 (text). ISBN 978-5-91966-012-5

Book "Messages from a World Behind the Looking-glass or Vision and a Presentiment of Unusual People". Valentin Bayukansky's article about Alexey Akindinov "A continuous pattern of events" (p. 25 - 26). P. 26 - 33 - Akindinov's stories: "As if the TV turned on", "Time of constant fear", "A mysterious ring", "Falling houses", "A family dream", "The gold woman" and Alla Pugachyova", "Martin Luther King's Mummy", "The head in a phone booth". In the book are used (h. . ) illustrations from Alexey Akindinov's pictures: "Ezechiel's vision", "The hunter of month" (Dmitry Kuvayev's Portrait), "A dream of the boy about the yards No. 2".

Author: Valentin Bayukansky. BBK 88.6. B 33. 2012 . – 380 P. : silt. 20. Circulation is 110 copies.

The book "Russian Art", 2012 – 802 P. Alexey Akindinov (color silt. p. 282-283, p. 656 (text, h. . photo). Annual edition. UDC 73/76 (=161.1); BBK 85.103 (2). Moskou Media of Groups publishing house. ISBN 978-5-9901648-6-4

"The literary Newspaper" - No. 44 (6391) (2012-11-07). P. 14. Alexey Akindinov's article "Why to the person dreams".

Book "Art of Russia". Release No. 12, (p. 16-23/tsv. silt.; p. 341 – the text (curriculum vitae). 2013 of 352 p., annual catalog reference book. M-Skanrus publishing house, International art fund. Moscow. Circulation 5000. ISBN 978-5-91966-017-0

Valentin Bayukansky's book "Walks in back streets". BBK 88.6 B34. Lipetsk - 2013 324с. Book cover – Alexey Akindinov's pictures "Carefully, the Moon! ", "Gagarin's Breakfast", "Aurora". P. 11-34: articles "I Recovered Past Messages", "Toxically — Means Unusually". Color tab – Alexey Akindinov's pictures "Innocent person", "Ripple", "the Birth of the Titan".

Collection of reports.  Edition 1.  "Ornamentalism.  Terra incognita.  " State Showroom "On Kashirka".  Moscow 2014.  84 p.  Originator Chekalina L.I.  (art critic, curator of exhibitions of the modern art.  )  Alexey Akindinov, the report text - p. 3-16, the appendix (the list of publications on "ornamentalism") p. 16-31.

Catalog "The best works of year.  2013".  64 p., цв.  silt.  Winners of competition.  The state Showroom "On Kashirka.  " Department of culture of the city of Moscow.  P. 26-31.  Nomination "The best curator project of 2013.  " The international thematic exhibition and exposition project "Ornamentalism.  Terra incognita.  " The curator Lyudmila Chekalina – the diploma of 1 degree.  P. 26 – the list of participants.  P. 30 – an illustration of a picture of Alexey Akindinov "Seaman".  Author originator Lyudmila Chekalina (art critic, curator of exhibitions of the modern art.)  2014  . 

"Gallery". The illustrated newspaper of fine arts. February – March 2014/№2-3. Moscow. 16 p., color silt. Founders: Russian academy of Arts, Moscow fund of culture, Lasta gallery. Heading "Event". Art project exhibition "Ornamentalism. Terra incognita. " P. 12-13. Srt. 13 – illustration of a picture of Alexey Akindinov "Motherhood". Author of article Lyudmila Chekalina (art critic, curator of exhibitions of the modern art.)



The catalog to a group art exhibition in Muenster (Germany) of Bezirksregierung Munster, NRW. Ausstellung. " Kunstler aus Riasan", 5. bis 20. April 2005

Mittwoch, 6.April 2005, Stadtkultur. Nr. 079 . 14 . Woche MSL 07. Munster," Verbindende Kunstwerke ". Acht Maler aus Riasan stellen bei der Bezirksregierung aus. Peter Sauer.

Mittwoch, 6. April 2005. Nummer 79 Rms 7, Munster. Feuilleton" Eine Blume ist eine Blume. " Kunst aus Riasan beim RP Lukas Speckmann


The 1st page of a cover – Alexey Akindinov's picture – "Geriki" (circulation of 40000 copies), the 5th p. - the announcement, 18-19 p. – article - "Curtain's Up Russian Art Past & Present. " Oct.20-Nov.19,2005

The booklet on an exhibition – "The Russian art – the past and the present. " The USA, staff – Oklahoma, Tulsa, "TULSA PERFORMING ARTS CENTER GALLERY" "Curtain's Up Russian Art Past & Present. " Oct.20-Nov.19,2005

Magazine - "INTERMISSION". SEPTEMBER 2005, P. 27, "Curtain's Up Russian Art Past & Present. " Oct.20-Nov.19,2005

The magazine - "TULSA PEOPLE" of December 2005, USA.SShA, the State of Oklahoma, Tulsa. p. 54 "Curtain's Up Russian Art Past & Present."

The booklet to the international exhibition in Berlin "the Russian Gallery Hkh1vek", AUSSTELLUNG Werke der Presistrager "Pussische Galerie – XXI. Jahrhundert. " Berlin 15.09. -05.10.2010 EINLADUNG

The catalog to the international exhibition in Berlin "The Russian Gallery XXI century. Favourites".str.28-31.RUSSISCHE GALERIE-XXI. JAHRUNERT. Das Gewahlte. Panorama publishing House, the Russian House of Science and Culture in Berlin. RHWK IN BERLIN.

Catalog on the exhibition competition "The International Wave of Fine Arts", "New York Realizm". Alexey Akindinov "SAINT MICHAEL" New's gold medal - York Academy of Arts of in category HISTORY for the picture "Martin Luther King". "ASA Art Gallery", Herald Center Mall, 3rd Floor, 1293, Broadway, New York, NY 10001



The newspaper - "The Ryazan Sheets. " Thursday, March 27, p. 7 No. 56-57 (1565 - 1566) "It turned eyes pupils in soul. " Galina Ivanova, Ryazan – Moscow – Konstantinovo, 2003 Ryazan

The newspaper – "Sasovskiye Vestie. " 16(133) on April 18, 2003 (socially – the political weekly "Gubernskiye Skazy" in Sasov, or the Narration how the sasovsky mayor "threw the Ryazan culture. " p. 1 Vladimir Homyakov of Sasovo

The newspaper – "Beacon" of of Kstovo of the Nizhny Novgorod Region. December 19, 2002. "Color melody. " Olga Chaika

The newspaper – "Appeal" from Sasov. " on April 26, 2003 No. 53 (12943) of p. 3 "Thanks for reception!"

L. Kulkova of Sasovo

The newspaper – "The Ryazan Sheets. " Ryazan, Wednesday, February 24, 1999 No. 41 (486) - "A dream of the boy …" about study and glory". Elena Bannikova.

The newspaper – "The Ryazan Sheets" Wednesday, April 3, 2002, p. 4, No. 62 (13-15). "Through thorns - to stars", Elena Bannikova, Ryazan

The newspaper – "The Prioksky Newspaper", Tuesday, September 12, 2000 г.№127 (26405), p. 3 "The view of the world. " Vladlen Gordiyenko.G. Ryazan.

The newspaper – "The Ryazan Sheets", on June 15, 2001 No. 113 (1111) "Painting young is more and more intellectual", Olga Sidorova, Ryazan

The newspaper - "The Ryazan Sheets", Thursday February 24, 2000 No. 35 (774) "Alexey Akindinov's all patterns", p. 4, Tatyana Bannikova, Ryazan

The newspaper – "Moskovsky Komsomolets in Ryazan", on March 14-21, 2002 No. 11 (217) of p. 11 "Alexey Akindinov's Patterns", Lyubov Suskina, Ryazan

The newspaper - "Gallery 999" No. 1 March, 2002. "New names", p. 14-15, Irina Protopopova, Ryazan.

The newspaper – "The Ryazan Sheets" on June 30, 2000. "Multi-colored palette young" Elena Koreneva, Ryazan

"the Prioksky Newspaper", Wednesday May 29, 2002, No. 57 (26646), p. No. 3 "And cheerful bouquet of cornflowers", Maya Martolina, Ryazan

The newspaper – "Air", p. 11, "Windows" to the different worlds". On November No. 48(457) 28, Lidiya Matiukhina, Ryazan

The newspaper – "Evening Ryazan" on July 7, 2000, No. 025(746), "The main thing not to stop on reached", Natal Logos, p. 6, Ryazan

The magazine – "Morning", 1 - 1999, "A dream of the boy …" - about study and glory. " p. 79, Elena Bannikova, Ryazan

The newspaper – "The Youth Environment", on November 14, 2001 No. 41(143), p. 11, "All wood in rubies, in amber honey. " Maya Martolina, Ryazan

The newspaper – the Newspaper – "The Ryazan Sheets", Wednesday September 3, 2003 No. 175(1684), p. 3, "And cold, and warmly …"

The newspaper – "The Ryazan Dawns", No. 65(11165),3 of September, 2003. "It turned eyes pupils in soul", Galina Ivanova.

The newspaper – "For revival of Russia", October, 2003, No. 33(42), p. 2-3, Maya Martolina, "All star world with me, as in crystal. "

The newspaper – "The Ryazan Sheets", "Korsakov and To", on October 8, 2003 Lena Koreneva, Ryazan

The Kto Est Kto newspaper in Ryazan", No. 6, October, 2003 of p. 13-15," Znakomtes: Alexey Akindinov. " Galina Ivanova.

The newspaper – "The Ryazan Sheets", of October 29, 2003 219(1728), Lena Koreneva, (about the Regional exhibition "Fall of 2003."

The newspaper – "The Ryazan Sheets", on January 21, 2004. "Portrait, landscape, still life. " Elena Koreneva. Ryazan

"Culture of the Ryazan Edge. ", December-January of 2003 - 04 No. 12/1 (13), p. 6 "All star world with me as in crystal". Ornamental motive in Alexey Akindinov's painting. Maya Martolina.

The newspaper – "The Prioksky Truth. " 2004, No. 2(21395), "Ring, ring, golden Russia! ", p. 3, Maya Martolina

The newspaper – "7" - "The Ryazan Seven", No. 23(46), p. 28, - "Africa, Babylon, Spring and Paris. " Mikhail Kunitsyn, Ryazan.

The newspaper – "The Ryazan Sheets. " No. 112(1892) of June 2, 2004. "About simple and incomprehensible. " Protopopova Irina

The newspaper – "Evening Ryazan", on August 19, 2004. "Cultural life" p. 22, "Listen to the symphony of spring". Maya Martolina

The newspaper – "The Ryazan Sheets", Friday, p. 7, on September 17, 2004. The facilitated option - "Falls". Elena Koreneva.

The newspaper – "R.'s Generation" No. 39(208), 27 of September, 2004. "Volume painting", Olga Milovzorova, p. 8; 9

The newspaper – "The Ryazan Dawns", No. 76(11272) 13 of October, 2004, p. 4, "Hi, the artist"

Anna Kritskaya (Galina Ivanova)

The booklet – "Alexey Akindinov, painting. " printing house – "Lev Tolstoy", No. 1543, 2002 of, Tula.

The booklet – "Akindinov Alexey. Painting. " Ryazan, publishing house – "Attorney", 2004 - 36стр. BBK 85.14 A39 ISBN 5-93550-019-1

Book registration – Fonyushkin V. B. - "Travel", poems, publishing house - "The Russian word", 2004 96стр. BBK 84 (2Рос=Рус) 6 And 78 ISBN 5-89877-060-7

Book registration Fonyushkin V. B. of F77, "Shooting stars. " Verses – Ryazan: publishing house - "Attorney" 2004. - 52.с. ISBN 5-93550-032-9 BBK 84

Book registration Fonyushkin V. B. "labyrinth. " (Reality denial)" Verses – Ryazan, publishing house – "Start". 2005 – 56 pages of BBK 84 (2Рос=Рус) 6 F 78 ISBN 5-902405-42-4

The newspaper – "Komsomolskaya Pravda", on October 6-13, Ryazan, p. 20. 2005 Vladimir Frolov, photo of the author. No. 157-t/40 (23591-t)

The Mall No. 12-13 newspaper, August - September, 2005 "Poletayevsky" of p. 3-"In search of original beauty".

The newspaper – "The Ryazan Seven. " p. 28 (gallery) on May 18, 2005 Mikhail Kunitsin – "Landscapes without war". About the Regional exhibition – "Spring – 2005" - 60 years of the Victory.

The newspaper – "Komsomolskaya Pravda (Ryazan)" Friday, the 9th of December, p. 12. "In America Akindinov is known better, than by houses. " Vladimir Frolov.

Registration of the collection of verses of Fonyushkin V. B. - "Updating", Ryazan, publishing house – "The Russian word" 2005.

The newspaper – "The New Newspaper" No. 05 P (1130) 6 - 12 of February, 2006. "In a texture of patterns strange. " Vera Novikova

The newspaper – "The Ryazan Sheets. ", Wednesday, February 8, 2006 No. 26(2366), Kulturanya Wednesday - "Dream painting. " Elena Koreneva

The newspaper – "The New Newspaper" No. 06 P (1132) 13 - 19 of February, 2006, p. 29, "A pattern with seven zero" Vera Novikova

The magazine – "The Ryazan Business the magazine", February, 2006 No. 3(18), "Akindinov's figured dreams", Mikhail Kunitsin (Dmitry Makarov), p. 106-107

The newspaper – "The Ryazan Sheets", Wednesday, April 5, 2006. "Awakening", about the Regional spring exhibition – "Spring 2006" Elena Koreneva

"The Ryazan Business magazine", March 2006 No. 5(19) of p. 106. "The knowledge is a consumption".

The newspaper – "Komsomolskaya Pravda. " on September 21 - 28, 2006 No. 140 – t / 38 (23777-t) p. 20

"The Italian Sun ascends in Ryazan", Margarita Polyanskaya

The newspaper – "The New Newspaper", No. 45 P (1210) 20 - 26 of November, 2006, Monday, Vera Novikova's article – "Color or the line? " p. 7

The newspaper – "The Ryazan Sheets. " Wednesday November 22, 2006 p. 3, Vladlen Gordiyenko – "Ornamentalnost" in Ryazan.

The newspaper – "Extra – Chance" No. 46 (465) 25 of November, 2006 of p. 18. Ekstranovosti – "Ornamentalnost".

The catalog on "A regional exhibition to the 70 anniversary of the Ryazan Region – "Fall – 2007", Ryazan, 2007. State Unitary Enterprise RO publishing house – "The Ryazan Regional printing house. " 390023, Ryazan, Novaya St., 69/12.str.3 and p. 29.

The magazine – "Ryazancity", February, 2008, Ryazan, p. 32-39, "Patten codes of the Universe" Olga Sidorova. Edition - 390013, Ryazan, 1st Pionersky Lane, 1

The newspaper - "Telesem". No. 51 (475) of 2007, Ryazan p. 9.

Album - "Artists of the Ryazan region", history of the VTOO "Union of Artists of Russia" Ryazan regional organization of p. 94; 142-143, Ryazan, 2007.

The newspaper - "The Ryazan Sheets", Wednesday October 15, 2008 No. 195(3230) of p. 3. Heading - "Take a look at our sort! ", "Medal for modern painting".

The newspaper - "The New Newspaper", Monday, No. 70(1388),22.09-24.09.2008, p. 5 - "A channeling of the Ryazan artist". Anatoly Obydyonkin.

The newspaper - "The Body Seven", No. 39(515) 2008г.стр.4. Heading - "And what at you occurred? " Vladimir Frolov.

The newspaper - "Generation P" No. 37(410),16 of September, 2008 "VILLIKY tolmach".стр. 15 . Olga Milovzorova

The newspaper - "The Meshchyorsky party", p. 25. "Pressures изВИЛЛИНЫ"

The newspaper - "The New Newspaper", Monday, No. 66(1384) 08.09-10.09.2008g. p. 5 - "Review sector", "A personal alibi" with Anatoly Obydyonkin.

The catalog to the Anniversary exhibition of graduates of the Ryazan art school of G. K. Wagner - "We are 90 years old", 4декабря 2008 g Ryazan. Committee on culture and tourism of the Ryazan Region.

The newspaper - "The Meshchyorsky party" No. 45(503),5 of November, 2008. The heading - "Take a look at our sort" - "Akindinov collects awards", "The Ryazan artist gained the diploma at a prestigious international exhibition". Victor Grakov.Str.2

The newspaper - "The Ryazan Sheets", Wednesday, November 12, 2008 No. 213(3248). Heading - "Take a look at our sort", "The second award in a month".стр.3

The newspaper - "The Body Seven".17-23 ноября.№47 (523) 2008. Heading - "And what at you occurred? ", p. 4 (on a victory in competition - "A death subject in the modern art". Vladimir Frolov.

The newspaper - "The Body Seven" on October.27 - 2 ноября.№44 (520) 2008. Heading - "And that at you occurred", p. 4 (on a victory in competition - "The Russian gallery HH1 of an eyelid"). Vladimir Frolov.

The newspaper - "The Body Seven" on March.16-22.№12(540) of 2009. Heading - "And that at you occurred", p. 10 (on opening of a personal exhibition - "Reference points"). Vladimir Frolov

The newspaper - "TV the Panorama", No. 9(645) 10.03.2009 Ryazan. "Ornamentalizm of Alexey Akindinov", p. 8. On a personal exhibition - "Reference points"

The newspaper - "Generation P" Ryazan, No. 9(20),10 of March, 2009 of p. 6. Heading - "Exhibition" - "Reference points". Irina Orlova

The newspaper - "The Body Seven" on April 13-19, No. 16 (544) of 2009. Heading - "And what at you occurred? ", p. 4 (on picture "Death Dance" sending in the Novosibirsk museum of World funeral culture. ) Vladimir Frolov

The newspaper - "The Body Seven" on August 17-23, No. 34,2009g. p. 6 the Heading - "And at you what has happened?" (according to the offer from Argentina)

The newspaper - "Tip Ryazan" No. 35(460) 8 of September 2009, p. 7 "On that party of a mirror" (on Anna Filimonova's personal exhibition).

The newspaper - "The TV Seven" on October 5-11, No. 41(569)2009, erased 4. Heading - "And at you what has happened?" (on opening of my personal exhibition in Palitra gallery)

TV Panorama newspaper No. 37(673) 22.09.2009. p. 8. Heading "Our People", "Signs on a Canvas" Dmitry Bantle

The newspaper - "The TV Seven" on September 21-27, No. 39(567) 2009, p. 88. Heading "City Poster", "Exhibition of Week", "Alexey Akindinov's Painting"

The newspaper - "Hometown" No. 38(80) 23 of September 2009, p. 39, "Poster", "Exhibitions", "Art salon "Palitra" (on a personal exhibition. Alexey Akindinov)

The newspaper - "The New Newspaper" No. 36 P (1525) 08.10 – 14.10.2009г. Heading - "Occupation layer" of p. 20-21. "Putin in an ornamentalizm mirror" (on a personal exhibition "Alexey Akindinov. Painting", gallery of Art salon "Palitra"), the author of interview - Anatoly Obydyonkin.

The newspaper - "Extra Chance", No. 43(611) 7 of November 2009г. 4 р. - Art - "Pictures of the Ryazan artist will expose the section in New York.G. Ryazan.

The newspaper - "A city panorama" No. 45(702) Wednesday November 11, 2009 p. 3. "The resident of Ryazan noticed abroad". Ryazan

The newspaper - "The House. System. " A heading - Non-working mood. - "Ryazan view of Putin. Alexey Akindinov "I always doubt everything".№44(447) of 11.11.2009 p. 15-17. Olga Zazdravnykh talked.

The newspaper - "The City Panorama". Heading - "Take a look at our sort", "24 thousand patterns of Alexey Akindinov". Author Elena of Sukhova.Str.66, No. 46(703) 18 of November, 2009.

The newspaper - "The Ryazan Sheets" No. 225(3510) 18 of November 2009г.стр.3, "In the long term". Elena Koreneva.

The newspaper - "Hometown" Ryazan No. 50(92),16 of December, 2009. "The picture of the resident of Ryazan will decorate Barack Obama's office" the.1st page of a cover and the 7th page (article). The heading - "Take a look at our sort", "Alexey Akindinov writes a picture to Obama". The author - Galina Gorbunova

The newspaper - "The House. The system", a heading - "Non-working mood", "Than was remembered 2009год? " p. 17 No. 50(453) 23.12.2009. The heading was prepared by Denis Abrakov and Olga Zazdravnykh.

The newspaper - "A city panorama", No. 1(710) Wednesday, January 6, 2010 p. 2. "World recognition of the Ryazan artist."

The newspaper – "The Body Seven", Ryazan.  On January 25/31, No. 5(585) of 2010 of P. 4.  Heading - "And at you what has happened?" About Alexey Akindinov's rewarding with a medal – "Talent and Calling".  Anastasia Kudryashova, Vladimir Frolov.

The newspaper – "The New Newspaper", Ryazan.  No. 05P(1569)04.02 – 10.02.2010.  Heading - "Take a look at our sort!  ".  1st p. of a cover.  "The artist from Ryazan is written by Obama, and he writes Martin Luther King", Alexey Akindinov's Black subject, p. 15.  "I aimed at the White House".  The author of article – Anatoly Obydyonkin.

The newspaper – "Hometown". No. 15(109) 14 of April 2010. Alla Pugachyovoy's Ryazan secrets. On April 15 – Birthday of Alla Pugachyovoy. P. 15

"the RYAZAN CODE FOR the PRIMA DONNA". Galina Gorbunova, Vladimir Voronov. Galina Gorbunova's photo and from sites of admirers of AB.

“Argument’s & Fakt’s» № 35(1556) 1-7 newspaper of September, 2010. Regional appendix. Ryazan No. 35 (548) September 2010, p. 3. Heading "Personality". "Destiny patterns". The resident of Ryazan consider as the father of an ornamentalizm in painting. Zoya Mozalyova.

Newspaper "Body Seven" No. 41(621) of 2010 of p. 4. Heading – "And what at you occurred? " Ryazan

Newspaper "Body Seven" No. 42(622) of 2010 of p. 4, "Country of odd fellows", p. 102. Exhibition of week - "Ornamentalizm". Ryazan

Catalog on the Ornamentalizm 2010 exhibition. 1st p. of a cover, p. 10-11. Maksimilian Presnyakov's article "Strukturnost of composite thinking and an ornamentalizm in the fine arts". Ryazan 2010.

The newspaper - "The Ryazan Sheets". Wednesday, October 6, 2010 p. 3 No. 189(3740) "Ornamentalizm-2010". Vladlen Gordiyenko.

Telesem newspaper, No. 52(632) of 2010 Ryazan, p. 4. The heading "And at You What Has Happened?", about Alexey Akindinov's rewarding in Brooklyn.

Telesem newspaper, No. 22(654), 23/29 of May, 2011 Ryazan, p. 4. Heading "And at You What Has Happened?". The gold medal "SAINT MICHAEL" delivered to Alexey Akindinov from New York.

Rodnoy Gorod newspaper, No. 41(237), Tuesday, 9.10.2012. "Fantastic "Went! " - about the second Interregional festival of a fantasy "Went! " (A. Akindinov – the judge of competition of children's drawings "I want in space! " The author – Oleg Mzhelsky.

The Ryazanskiye Vedomosti newspaper, No. 46 (4348) of March 15, 2013, p. 12. The article "Sports in Works Ryazanskiz Artists" - about Alexey Akindinov and Alexander Okonechnikov's participation in the All-Russian exhibition "About sports, you – the world! " or "Physical culture and sports".

Books: "Light and the image" and addition to it - the book "Ornamentalizm in the Fine Arts and a Strukturnost of Composite Thinking". The author – Presnyakov of M. A. Ryazan, Russian Word publishing house, 2013 280стр. 240стр. Ч.б.и цв. silt. Color reproductions of pictures of Alexey Akindinov in the book "Ornamentalizm in the Fine Arts" - p. 114 as a row it is black – white reproductions. The section "Appendices" (appendix 2) – p. 205 - 211. "Alexey Akindinov's story about his personal discovery of idea of an ornamentalizm". (ч.б. silt. ) ISBN 978-5-89877-203-1

Announcement of the New Newspaper exhibition, No. 25P(2069) 11.07-17.07.2013.  Weekly Ryazan release.  P. 4.  "In Ryazan Alexey Akindinov's personal exhibition "Under the flag of an ornamentalizm opens".  The author - Galina Samolyotova.

The Rodnoy Gorod newspaper of July 16, 2013 No. 28, p. 25. Цв. silt. "Alexey Akindinov's secret signs". The author of article – Galina Gorbunova.

Telesem newspaper. No. 30, 22-28 of July, 2013 of P. 86. Цв. silt. "Key to secrets". The author of article – Vladimir Frolov.

The Novaya Gazeta newspaper (Ryazan), No. 26P (2072) 18.07 – 24.07.2013г. P. 21, цв. silt. "Akindinov as Gagarin" - interview of the journalist Anatoly Obydyonkin to the artist – Alexey Akindinov on the personal exhibition "Under the flag of an Ornamentalizm".

Ryazanskiye Vedomosti newspaper. No. 131 (4433) of July 20, 2013. Sixth strip. Article "Under the flag of an ornamentalizm. The personal exhibition of the Ryazan artist Alexey Akindinov is open in the Museum of history of youth movement". The author - Veronika Shelyakina.

Modern Eseninovedeniye magazine. 2013 . No. 25. Article of Professor of Institute of Slavic philology of the Polish academy of Sciences (Warsaw), the art critic and the literary critic - Grazhiny Bobilevich "To history the eseninskikh of portraits: Sergey Yesenin in the image of the Ryazan artist Alexey Akindinov (experience of preliminary interpretation)". P. 3 - 18. (9 illustrations, including 7 цв. and two b/w photos). Circulation is 200 copies of ISSN 2073-7467

Ryazanskiye Vedomosti newspaper. No. 218(4520) of November 21, 2013. Third strip. Heading – Culture. "The Olympic achievements of the Ryazan artists". Pictures of three Ryazan artists are selected for participation in the All-Russian exhibition "Sport Art Sochi".

Book "100 known residents of Ryazan". Ryazan. 2013. Article "Alexey Akindinov: "I all doubt everything". The author – Olga Zazdravnykh. P. 8-10. Tsv/ch-B. silt. It is prepared on the materials published in the newspaper "the House. System" on November 11, 2009. Circulation of the book is 500 copies. Under D. A. Abrakov, G. V. Gavrilova's edition. News agency and information. 2013 . – 312с. BBK 63.3 (2ros-4ryaz). With 81. ISBN 978-5-91255-135-2.