News from - 16.08.2013.

1).  Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism" in "A museum of history of youth movement" in Ryazan. Exhibition time: 11.07.2013 - 03.09.2013.

2). Maksimilyan Presnyakov's book "Ornamentalism was published in the fine arts and a strukturnost of composite thinking". Maksimilyan Presnyakov's article "Alexey Akindinov's story about his personal opening of idea of an ornamentalism. "

3). In the section "Graphics" - "Composite sketches, etudes and sketches" are published period works: 1999-2001.

4). The announcement of a collective exhibition – "Ornamentalism Terra Incognita". State showroom "On Kashirka" (Moscow). December 4-22, 2013.


1).
On July 11, 2013 in Ryazan "A museum of history of youth movement" opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism" took place.
At an exhibition are presented: painting, graphics, logo and ornamentalism flag.
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11.07.2013. Alexey Akindinov greeting waves a hand, after installation of a flag of an ornamentalism. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. Ryazan. Photowork of the journalist - George Titov.
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Ornamentalism flag. The author – Alexey Akindinov. 2013.
Publications on opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism":
                News television plots on opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism":
                  Russia - 1 TV channel, VGTRK Oka, "Messages – Ryazan". News television plot of July 13, 2013. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Reporting: the television journalist - Elena Arkhipetskaya. The operator - Yury Kosorotov. To look here(plot in Russian)>>>
“Ren Tv” — Ryazan TV channel. News television plot of July 11, 2013. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". To look here(plot in Russian)>>>
                  “Ren Tv” — Ryazan TV channel. News television plot of July 11, 2013. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". To look here(plot in Russian)>>>
                  TV company – “The City”. Plot about Alexey Akindinov's creativity and the personal exhibition "Under the flag of an Ornamentalism" in the Museum of history of youth movement. Irina Kovalyova reporting. Kaleidoscope program on July.19, 2013. To look here(plot in Russian)>>>
                  Television company "Echo — the Movie". Ryazan. Since Morning as Early as Possible program. The guest of studio - the artist – Alexey Akindinov. July 26, 2013. The television leader – Natalia Novikova. Discussed subjects: style - an ornamentalism, creativity sources, a personal exhibition "Under the flag of an ornamentalism, ornamntalism symbolics, an ornamentalism flag, exhibition plans, the forthcoming collective exhibition in the State showroom "On Kashirka" (Moscow) – "Ornamentalism Terra Incognita". To look here(plot in Russian)>>>
                 Valentin Evkin's movie "Under the flag of Alexey Akindinov's ornamentalism".  Creative workshop "Mamontfilm", 2013.
The trailer to the movie to look here(Russian-language movie)>>>
The movie (a sound row – “Pink Floyd” group music. Russian-language movie)>>>
The movie (a sound row - Maksimilyan Presnyakov's music. Russian-language movie)>>>
            Radio of Russia – Ryazan, the “Cultural Environment” program, air of July 17, 2013. The subject of day – opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism", a press conference, conversation of the artist with journalists to listen here(plot in Russian)>>>
News site "RZN.info"(text in Russian)>>>
News site "Our Ryazan", article "Flag in Hands", author of article – George Titov.(text in Russian)>>>
News site "Mediaryazan". Article on an exhibition - "Leader". The author - Olga Milovzorova.(text in Russian)>>> 
“Ryazanskiye Vedomosti” newspaper. No. 131 (4433) of July 20, 2013. Sixth strip. Article "Under the flag of an ornamentalism. The personal exhibition of the Ryazan artist Alexey Akindinov is open in the Museum of history of youth movement". The author – Veronica Shelyakina.(text in Russian)>>> 
“The Novaya Gazeta” newspaper (Ryazan), No. 26P (2072) 18.07 – 24.07.2013г. P. 21, цв. silt. Article "Akindinov as Gagarin". Interview of journalist Anatoly Obydyonkin to Alexey Akindinov on his personal exhibition "Under the flag of an Ornamentalism".(text in Russian)>>>
The newspaper “The Hometown” of July 16, 2013 No. 28, p. 25. "Alexey Akindinov's secret signs". The author of article – Galina Gorbunova.>>> 
Newspaper "Tv Seven". No. 30, 22-28 of July, 2013 of P. 86. "Key to secrets". The author of article – Vladimir Frolov.>>> 
News site "Media Ryazan". The article "Ornamentalism Flag", the author – Vladimir Frolov (text in Russian)>>> 
Vladimir Frolov's blog (the editor of the newspaper "The TV Seven" in Ryazan, text in Russian)>>> 
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Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". 11.07.2013. Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
The publication of the announcement of an exhibition on sites:
"Ministry of Culture of the Ryazan region" (text in Russian)>>> 
News site "RZN.info"(text in Russian)>>> 
News site "Media Ryazan". (text in Russian)>>> 
News site “7info.ru” (text in Russian)>>> 
"The new newspaper", No. 25P(2069) 11.07-17.07.2013. P. 4. "In Ryazan Alexey Akindinov's personal exhibition "Under the flag of an ornamentalism opens". The author - Galina Samolyotova. (text in Russian)>>> 
"Rambler – news". (text in Russian)>>> 
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Improvised a press – conference before exhibition opening. Alexey Akindinov answers questions of journalists. On a distance shot: at the left – the member of the Union of artists of Russia – Anatoly Vasilyevich Stepanov, on the right – the member of the Union of artists of Russia – Valentin Dmitriyevich Chavkin. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the journalist, the pictorialist and the editor of the newspaper "the Body Seven" (in Ryazan) – Vladimir Frolov.
The quote from article on an exhibition - "Leader", journalist Olga Milovzorova, of 12.07.2013 on a news site "Mediaryazan"(text in Russian)>>>
The archived version (text in Russian)>>>
               "In the Museum of history of youth movement opened Alexey Akindinov's exhibition and presented an ornamentalism flag.
               Summer "the dead season" also doesn't think to begin — in museums and galleries one for another exhibitions, sometimes even on couple of pieces a week open. It is necessary to call the most interesting action an opening day of a personal exhibition of painting and Alexey Akindinov's graphics and presentation of a flag of an ornamentalism.
               To explain to residents of Ryazan, who such Akindinov — occupation senseless. Today it, perhaps, the figure of arts most popular in local mass media — the ancestor of an ornamentalism, the author of intricate pictures, the successful painter and the competent PR manager. Even the people farthest from the fine arts learn its freakish canvases covered with a patten ligature — "Ah and, it is that! ". On July 11 "that" with the notice opened a personal exhibition within the walls of a museum of history of youth movement on which, unlike opening days of more traditional artists, apple there was no place to fall.
               Exhibition there is a wish to call next — Akindinov is exposed often and much where, from native Penates to the American White house.  However in a train of projects the present keeps aloof.  This time the artist shows the creative kitchen and invites though with half an eye to look at process of creation of its surprising works.  Besides habitual oil cloths, mostly well-known to local judges of art, Alexey presented a set of pencil sketches, those which seldom leave an art studio and usually remain outside attention of the viewer.  Raisin in juicy pie of an exhibition the presentation of a flag of the ornamentalism which has been thought up, as well as style, Alexey Akindinov poured also.
            — Ornamentalism himself pushes to attributes creation — he told at opening. — Pictures create the own world, the state. I hope, our flag will flutter on an art wind!
              The exhibition was met by close attention of the public, there were representatives of the creative intellectuals, numerous friends and colleagues of the artist.  The vice-chairman of the Ryazan office of the union of artists Vasily Nikolaev noticed that the exhibition is the real happening.
            The flag symbolically hangs near Gagarin's portrait — paid attention Nikolaev — and Akindinov — the pioneer of space under the name "ornamentalism".  Alexey's pictures are unusual, they don't fit into stylistics of our allied exhibitions especially as on couple of canvases it is difficult to judge style.  At Akindinov's personal exhibition it is possible to estimate really.
              To contemplate Alexey Akindinov's works and an ornamentalizm flag visitors of a museum of history of youth movement will be able till August 20."
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11.07.2013. Alexey Akindinov and the manager of "A museum of history of youth movement" – Elena Vasilyevna Gravshina with the opening speech opening an exhibition. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. Ryazan. Photowork of the journalist – Olga Milovzorova.
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Opening of the Under the flag of an Ornamentalism exhibition. 11.07.2013. Improvised a press – conference before exhibition opening. Alexey Akindinov answers questions of journalists. On a distance shot: at the left – the member of the Union of artists of Russia – Anatoly Vasilyevich Stepanov, on the right – the member of the Union of artists of Russia – Valentin Dmitriyevich Chavkin. Ryazan. Photowork of the journalist - George Titov.
            The quote from article of the editor of the "Tv Seven"newspaper - Vladimir Frolov. No. 30, 22-28 of July, 2013 of P. 86. Article "Key to Secrets">>>
               "Key to secrets". From a flag admirers of the artist will carry a gold key on badges.
               The Ryazan artist created and lifted a banner of new style in painting – an ornamentalism.
               In our city Alexey Akindinov – the most recognizable artist of the generation. It isn't surprising that its works are bought up in the different countries of the world: who at least time saw one his picture, then learns others – on patterns and the ornaments covering a background and represented figures. The artist calls this style an ornamentalism and earlier often told what exactly so pictures advised to write it the highest forces.
            -  Representing a pattern, I try to represent a wave of energy which everything penetrates, - Akindinov last week admitted a youth Museum on Svoboda Street.
              To opening of its new exhibition to a museum came the most known sculptor of Ryazan (the author of several monuments on streets of Ryazan) Boris Gorbunov, the vice-chairman of the local union of artists Vasily Nikolaev, known photographers, TV hosts, restorers.  At their presence Alexey Akindinov developed an ornamentalism flag – a cloth with the image of the symbolical key revealing secrets of the world.  To all guests of an exhibition distributed breast badges with the same "an ornamentalism key".
          
- In Russia there are a lot of the artists which style is unique, - Alexey in reply to a question for the sake of whom the flag was created confessed. – In the winter we plan the general exhibition in Moscow. It will be interesting."
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The manager of the Museum of history of youth movement – Elena Vasilyevna Gravshina holds a gold tube with an ornamentalism flag inside. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the journalist – Olga Milovzorova.
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Alexey Akindinov opens a gold tube with an ornametalism flag. Nearby - the manager of the Museum of history of youth movement – Elena Vasilyevna Gravshina. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
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Alexey Akindinov takes out from a gold tube an ornamentalism flag, for its further demonstration. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
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Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the spouse of Alexey – Elenas.
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Alexey Akindinov took out an ornamentalism flag from a gold tube and prepared for its deployment. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the journalist – Olga Milovzorova.
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Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the spouse of Alexey – Elenas.
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Alexey Akindinov develops an ornamentalism flag. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
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Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
The quote from the “Rodnoy Gorod” newspaper (Ryazan) of July 16, 2013 No. 28, p. 25. "Alexey Akindinov's secret signs". Heading "Cultural Property". The author of article – Galina Gorbunova.>>>
             “Opening of an exhibition of the well-known Ryazan ornamentalist "Under the flag of an ornamentalism" took place in the Ryazan Museum of history of youth movement on Thursday, July 11.
              Exactly here its first personal exhibition 13 years ago was open. Then representatives of art elite of the city twisted at a temple to the courageous museum workers, ventured to organize "such"! Now works of the Ryazan ornamentalist are in leading art museums of Russia and in private collections.
             Many people seeing pictures of this artist, claim that if long to look at a canvas with the ornament image, it is possible to get out of limits of the art plane. Uniqueness of works of Alexey Akindinov consists that he created the whole world – the ornamentalism world, – admirers of the personality and creativity of the artist consider. They should open once again for themselves the reality existing on that party of pictures, hidden in thin curls of an ornament. At an exhibition the artist presented a modern view on the conventional authorities, including, portraits of known politicians.
            The ornamentalism flag with a symbol of this art direction – a key in the form of a snowflake became the main intrigue of evening. This key, according to the author, the audience should reveal secret of his art.
            The author in exclusive interview to "Hometown" told history of emergence of the mysterious style. Ornamentalism arose in the Ryazan remote place.
         -  In the childhood I spent winter vacation in the village, - the artist told.    Somehow time, having rolled down from a hill, I saw on snow a strange ring from a black stone.  On it there was an ornament of green color.  I took a ring in hand, but I don't know where it disappeared then.  The next year the same history repeated.  Having once again rolled down from a hill, I saw the same ring, but the pattern on it was white.  You won't believe:  in a year at the bottom of the same hill I was expected more familiarly by a ring.  This time with a yellow ornament.
          This mysterious history rendered strong impression on children's consciousness and, probably, began Alexey Akindinov's original style. The artist admitted that in memory of a surprising ring he carries a signet with a black stone and an ornament. It is a good luck symbol.
          The exhibition was visited by Galina Gorbunova.”
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At the left – the member of the Union of artists of Russia – Margarita Levkoyevna Budylyova. In the center – the pictorialist, the writer, video – the operator – Valentin Valentinovich Evkin. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
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Alexey Akindinov develops an ornamentalism flag. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
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Alexey Akindinov shows for the first time the developed flag of an ornamentalism. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.

The quote from article of the journalist – Veronica Shelyakina.  “Ryazanskiye Vedomosti” newspaper.  No. 131 (4433) of July 20, 2013.  Sixth strip.  Article "Under the flag of an ornamentalism.  The personal exhibition of the Ryazan artist Alexey Akindinov is open in the Museum of history of youth movement".
Article original on the “Ryazanskiye Vedomosti” newspaper site (text in Russian)>>>
The archived version (text in Russian)>>>
             "Under the flag of an ornamentalism".
             The personal exhibition of the Ryazan artist Alexey Akindinov is open in the Museum of history of youth movement.
             Alexey Akindinov developed the author's direction in art – an ornamentalism.  This style exists only about two tens years.  The main detail in Alexey's pictures – a pattern.  Spaces of cloths consist of various ornaments, symbols, signs.
            The presentation of a flag of an ornamentalism was the main intrigue of an exhibition. In general, development of a logo and symbolics of this style – Alexey's peculiar experiment. After all such in the art directions yet wasn't. On a flag the snowflake is represented. This symbol is present at many works of the master. It is possible to tell, its logo. The exhibition is interesting also to that on it graphic sketches to pictures are submitted.
         – Feature of this exhibition that in the general exposition big cloths and therefore there is an opportunity to look here are presented as they are combined with each other. Earlier my pictures of a similar format nearby weren't exposed, – Alexey Akindinov tells. In December in Moscow in showroom "On Kashirka" the All-Russian exhibition "Ornamentalism will open. Terra incognita". And Alexey plans to present there an ornamentalism flag.
        – In general in the country there are a lot of artists who work in this direction. I think, they will support my idea on creation of attributes of style, – Alexey speaks.
         To see Alexey Akindinov's pictures and an ornamentalism flag visitors of the Museum of history of youth movement will be able till August 20.
        Author: Veronica Shelyakina. Photo of the author.”
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Alexey Akindinov shows for the first time the developed flag of an ornamentalism. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
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Alexey Akindinov approaches to a ladder to climb up it, for installation of a flag of an ornamentalism. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the journalist - George Titov.
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Alexey Akindinov climbs up on a ladder, for installation of a flag of an ornamentalism. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
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Alexey Akindinov greeting waves a hand, as Yury Gagarin, before installation of a flag of an ornamentalism. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the journalist – Olga Milovzorova.
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Alexey Akindinov greeting waves a hand, as Yury Gagarin, after installation of a flag of an ornamentalism. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the journalist, the pictorialist and the editor of the newspaper "the Body Seven" (in Ryazan) – Vladimir Frolov.
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Ornamentalism flag, author Alexey Akindinov. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork from a news site "RZN.info".
The quote from interview of journalist Anatoly Obydyonkin to Alexey Akindinov on his personal exhibition "Under the flag of an Ornamentalism". Article "Akindinov as Gagarin". The “Novaya Gazeta” newspaper (Ryazan), No. 26P (2072) 18.07 – 24.07.2013г. P. 21.
Article original on a newspaper site (text in Russian)>>>
The archived version (text in Russian)>>>
                  "Akindinov as Gagarin".
                  In Ryazan the Under the flag of an Ornamentalism exhibition opened.
                  36-year-old Alexey AKINDINOV – most known of the Ryazan artists, his name constantly "very famous" that costed by one only history with Martin Luther King's written for the American president Barack Obama the portrait. He is a creator and the main ideologist of the new direction in painting under the name "ornamentalism" as images in his pictures as if are weaved from the most different patterns and ornaments.
                – It is interesting, whether you expected all this in that far time when studied in the Ryazan art school is already relative? Well, what your pictures will be demanded in the American White house and in many prestigious museums what there will be many conversations and there will be many publications about the direction given rise by you with the beautiful and bright name "ornamentalism"? At last, what pictures will be on sale so actively and there will be even a problem how to gather works on the next exhibition? Or expectations then were even more iridescent?
               – In the childhood I dreamed to become the astronomer or the artist. I chose a way of the artist, having gone to study at first in children's art school, then in the Ryazan art school. Already then I dreamed to create the new direction in art, to become the recognized and known artist. Looking back in the past, I can tell about duality of an embodiment of the dream. If to speak about material benefits in spite of the fact that I am demanded as the artist, all the same at present I not only "the shoemaker's wife is the worst shod" as available it isn't enough pictures, but also "the shoemaker without money". Many means are taken away by modern life: materials for pictures, site service, the help to parents and relatives. But, on the other hand, I managed to sow a field "ornamentalism seeds", and the crop gives shoots – many artists were fond of this idea. Having looked on the publication Internet on an ornamentalism, now it is possible to find a great number of different people who write in the similar direction and publish various articles on this subject. And all any fifteen years ago an ornamentalism as new style was discussed only in the Ryazan art school, at my very first personal exhibition.
               It was oddly embodied and my dream of astronomy is I fully realized just at opening of the Under the flag of an Ornamentalism exhibition where the flag developed by me and an ornamentalism logo are presented. Style itself dictated this idea – to unite artists-ornamentalists the general symbol embodied on a flag. It happened in time and by the way because in December the large-scale collective exhibition "Ornamentalism is expected. Terra Inkognita", the last phrase is transferred from Latin as "the unknown earth". Ornamentalist have to gather on this exhibition in one of large State showrooms of Moscow from many regions of Russia so it will turn out symbolically if the flag of an ornamentalism arrives there from Ryazan and will be established on this for the present "the unknown earth". It everything also led me to thought of an embodiment of my children's dream of space. When we made an exposition of the Under the flag of an Ornamentalism exhibition, my wife Elena suggested to hang up Gagarin's portrait near that place where the flag will be set. And during exhibition opening many drew an analogy between a portrait of the first astronaut and installation of the first flag. Artist Vasily Nikolaev told even: "It isn't casual they nearby – a flag of an ornamentalism and Yury Gagarin! The pioneer of space, and the pioneer of new style in painting! " Besides, the ladder which I climbed up to set a flag, added to the audience of associations with disembarkation of Americans to the Moon and Neil Armstrong's first step to its surface. It is worth noticing that this event too happened in July...
             – Now, probably, it is a high time to reflect on that the flag of an ornamentalism not only at the Ryazan and Moscow exhibitions was present, but also one fine day also space reached. It seems to me, for your active nature this task quite on forces. It would be desirable sometime such to arrange?
             – Yes, certainly! If to give vent to the imagination, it is possible to present as in an orbit of Earth there is a satellite with a transparent capsule in which the small tag of an ornamentalism shines, reflecting light of a rainbow of a morning dawn! And the second spacecraft with the same flag – like "Voyager" is directed in Universe depths for a meeting with extraterrestrial civilizations. It will be amusing if "brothers on reason" instead of the message sent by Americans on "Voyager", the first receive ours, with a tag and an ornamentalism logo, and, inquisitively scratching the green napes, will read there an inscription in Russian: "The whole world a carpet, and people in it – a pattern". And in the space cards will designate our Earth as "Ornamentalism earth".

It is possible to study the full version of interview on this site in the section - "Publications">>>
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Comic photocollage of artist Andrey Mironov "Americans were late".
Official site of the artist - Andrey Mironov>>>
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Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Vladimir Kovanov.
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Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
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Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Vladimir Kovanov.
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The deserved artist of Russia, the vice-chairman of the Ryazan office of the Union of Artists of Russia – Vasily Ivanovich Nikolaev says congratulatory speech. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the journalist – Olga Milovzorova.
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The deserved artist of Russia, the vice-chairman of the Ryazan office of the Union of Artists of Russia – Vasily Ivanovich Nikolaev says congratulatory speech on Alexey Akindinov's personal exhibition. On the right – Alexey Akindinov. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
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Boris Semyonovich Gorbunov congratulates Alexey Akindinov on exhibition opening. Boris Semyonovich Gorbunov - the Deserved artist of Russia, the sculptor, the author of a number of city monuments of Ryazan, the Honourable citizen of Ryazan, on the right – Alexey Akindinov. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
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The word of the Deserved artist of Russia, the sculptor, the author of a number of city monuments of Ryazan, the Honourable citizen of Ryazan - Boris Semyonovich Gorbunov, on the right – Alexey Akindinov. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
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Performance of the member of the Union of artists of Russia – Valentin Dmitriyevich Chavkin, on the right – Alexey Akindinov. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the spouse of Alexey – Elenas.

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Performance of the member of the Union of artists of Russia – Valentin Dmitriyevich Chavkin, on the right – Alexey Akindinov. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork from a news site "RZN.info".
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In the center – the Deserved artist of Russia – Vasily Nikolaev and spouse Alexey Akindinov – Elena. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork from a news site "RZN.info".
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Alexey Akindinov receives an official message of thanks from pupils of "high schools" which to him is handed over by the regional specialist – Valentina Ivanovna Akhumova. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the journalist – Olga Milovzorova.
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Alexey Akindinov and Ania. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
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The autograph - session. Alexey Akindinov and Elena Soboleva. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Vladimir Kovanov.
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Alexey Akindinov – in the center, at the left - Igor Horokhorin, on the right – the director of “Zhest” shop - Igor Stishkov. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the journalist, the pictorialist and the editor of the newspaper "the Body Seven" (in Ryazan) – Vladimir Frolov.
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Eseninoved, the journalist, the writer – Galina Petrovna Ivanova and Alexey Akindinov against an ornamentalism flag. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Vladimir Kovanov.
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Alexey Akindinov distributes to visitors of an exhibition badges with an ornamentalism symbol. At the left – Irina Maybaum, on a distance shot – George Titov (the journalist of a news site “Our Ryazan”). Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Vladimir Kovanov.
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Alexey Akindinov (right) and a writer, photographer, cameraman - Valentine Evkin. Personal exhibition of Alexey Akindinov "Under the banner of ornamentalism." Museum of the History of the youth movement. 11 July 2013. Ryazan. The photo work photographer - Vladimir Kovanov.
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Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Vladimir Kovanov.
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In the center: the artist – Vladislav Efremov and the television journalist – Irina Ten. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Vladimir Kovanov.
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The autograph – session. Alexey Akindinov and his admirers: Alexander Rusakov and his spouse. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
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Annie. The fan of creativity of Alexey Akindinov, leaves the response in the visitors' book. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the journalist, the pictorialist and the editor of the newspaper the “TV Seven" (in Ryazan) – Vladimir Frolov.
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Alexey Akindinov and Anya being a fan of his work. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the journalist, the pictorialist and the editor of the newspaper the “TV Seven" (in Ryazan) – Vladimir Frolov.
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Konstanin Sitnikov (at the left) and Alexey Akindinov. On a distant background – Alyonka with the camera - spouse Alexey. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
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Spouses Irina and Edward Maybaum. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork from a news site "RZN.info".
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Left - right: Irina Soboleva, her mother - Elena Soboleva, and grandmother. Personal exhibition of Alexey Akindinov "Under the banner of ornamentalism." Museum of the History of the youth movement. 11 July 2013. Ryazan. The photo work photographer – Alexandr Korolyov.
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Admirers of creativity, give to Alexey Akindinov flowers. At the left – to the right: Alexey Akindinov, spouses Anna and Alexander, and their little son – Savva. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
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Admirers of creativity, give to Alexey Akindinov flowers. At the left – to the right: Alexey Akindinov, spouses Anna and Alexander, and their little son – Savva. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Vladimir Kovanov.
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Alexey Akindinov. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
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Alexey Akindinov and his spouse Elena. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the journalist, the pictorialist and the editor of the newspaper "the Body Seven" (in Ryazan) – Vladimir Frolov.
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On the right – on the left: Konstantin Mikhalevich and Nikolay Matrosov. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.

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At the left – to the right: the sculptor – Vasily Gorbunov and Alexey Akindinov. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
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Audience. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the spouse of Alexey – Elenas.
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Before exhibition opening. Alexey Akindinov against the picture "Self-portrait under a Dogrose Bush". With an ornamentalism badge on a breast. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the journalist - George Titov.
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Before exhibition opening. Alexey Akindinov against the picture "Motherhood". Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the journalist - George Titov.
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Before exhibition opening. Visitors: Irina Soboleva and her grandmother. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the spouse of Alexey – Elenas.
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In the foreground – the journalist of "The new newspaper" - Vera Novikova. On the distant – Irina Ten. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the journalist, the pictorialist and the editor of the newspaper "The TV Seven" (in Ryazan) – Vladimir Frolov.
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Alexander Olegovich Nikitin – the public figure, the musician, the film expert and the visitor of an exhibition. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
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At the left – the Deserved artist of Russia - Vasily Ivanovich Nikolaev, at the left – the member of the Union of artists Valery Potapov. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.
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Bottom row, from left to right: Alexey Pogarsky, Oleg Ershov, Alexey Akindinov, Konstantin Sitnikov. Top row: the cousin of Alexey Akindinov – Olga Rulyova, Konstantin Mikhalevich. From right to left: Elena – spouse Alexey Akindinov, Sergey Korovin, the journalist – Anatoly Obydyonkin, Olga, Irina Ten. At an entrance to a museum. Opening of a personal exhibition of Alexey Akindinov "Under the flag of an ornamentalism". Museum of history of youth movement. On July 11, 2013 Ryazan. Photowork of the pictorialist – Alexander Korolyov.

The detailed photo report on Alexey Akindinov's personal exhibition "Under the flag of an ornamentalizm" in a photo gallery "Three centuries", in the section "The Present since 2012.">>>
Publications in mass media on exhibition opening in the section "Publications">>>


2). Maksimilyan Presnyakov's book "Ornamentalism was published in the fine arts and a struktural of composite thinking". Maksimilyan Presnyakov's article "Alexey Akindinov's story about his personal opening of idea of an ornamentalism."
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First page of a cover, illustration of a picture of Marina Polyakova "Festive departure", 2006. Canvas, author's equipment.
The book "Ornamentalism in the visual arts and structural composite thinking" (p. 240) is the complement of the book "Light and Image" (page 280). Author - Maximilian A. Presnyakov. Ryazan. Publishing house "Russian word." Black - white and color illustrations. Color reproductions of paintings by Alexei Akindinov in the book "Ornamentalism in the visual arts" - page 114, the same number of black - white reproductions. Section "Applications" (Annex 2) - page 205 - 211. "The story of Alexei Akindinov about his personal discovery ornamentalism ideas." (black - white illustrations) ISBN 978-5-89877-203-1
About the book online Maximilian Presnyakov (text in Russian)>>>
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P. 48. Sketch illustration to Alexey Akindinov's picture – "The Adit of Tigil". 1998, paper, graphitic pencil.
          The quote from the Internet - versions sociological encyclopedic English – the Russian dictionary. It is especially noted, Maksimilyan that the last three offers from the "ornamentalism" formulation (in this dictionary), are borrowed from two articles about Alexey Akindinov's creativity, published considerably earlier in articles: The newspaper – "The Moscow Komsomol member in Ryazan", on March 14-21, 2002 No. 11 (217) of p. 11 "Alexey Akindinov's Patterns", Lyubov Suskina, Ryazan, and - the magazine – "The Ryazan Business the magazine", February, 2006 No. 3(18), "Akindinov's figured dreams", the author - Mikhail Kunitsin, p. 106-107. In particular, the phrase quoted, in the dictionary - without the indication of a source - Alexey Akindinov who has said this phrase for Ryazan "Magazine business": "Pictures of an ornamentalism bewitch and "let know at the same time the whole world".

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P. 90. Illustration of a picture of Alexey Akindinov – "The android and religion". 2006. Canvas, oil.

              In Maksimilyan Presnyakov's text it is a question of Elena Kovylina's project "Hidden patterns", carried out in room gallery "Cheryomushki" in Moscow. The Hidden Patterns project took place in 2006, in three months after the group Ornamentalnost exhibition organized by Alexey Akindinov. On the Ornamentalnost project Alexey put forward idea of ten-year anniversary of Ornamentalism style, this exhibition was shined on “Kultura TV” channel, nowadays "Russia K", in a news plot was spoken about Alexey Akindinov's new style – an ornamentalism. Links to Kultura TV channel with news about the Ornamentalnost exhibition: the "Z@gruzka” program of November 30, 2006(text in Russian)>>>
The archived version(text in Russian)>>>
               News quote: "10 years to an ornamentalism – the direction in art which was thought up by artist Alexey Akindinov were executed, to this date at the Ryazan regional drama theater the Ornamentalnost exhibition opened. Alexey with adherents consider that the world is a most difficult ornament which needs to be understood, or at least to draw. It is possible to estimate world ornaments on a site "akindinov.com".
               It should be noted that else for some months, the same All-Russian Culture television channel in the news of May 26, 2006, I reported about existence of a site of the artist – an ornamentalist – Alexey Akindinov, and about the concept of the ornamentalism which has been put forward by Akindinov: the"Z@gruzka” program of May 26, 2006(text in Russian)>>>
The archived version(text in Russian)>>>
               News quote: "The site of artist-ornamentalist Alexey Akindinov which easily interweaves the ornaments into the present was updated. Here site "akindinov.com" epigraph: "The world is penetrated by electromagnetic waves. Waves no other than pattern, ornament. I transfer them to a canvas... " To look at the electricity embodied in paints, it is possible on a site of the artist."
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P. 95. The text about the first collective exhibition devoted to an ornamentalism – "A mesh image" (fall of the 2000th year), passing through half a year, after opening of a conceptual personal exhibition of Alexey Akindinov "All a pattern" which took place in February of the 2000th year in "A museum of history of youth movement".
              News video topic on Alexey Akindinov's exhibition "All a pattern" (February, 2000), (Plot in Russian)>>>
Quote: "… The collective conceptual art exhibition "Mesh Image" which took place in the showroom Gallery Club of Regional Junior Library in 2000 opened a subject of "ornamentalism" and in particular "neo-ornamentalism" for the city of Ryazan as the new thematic project uniting works of different authors, having own creative approaches to the central idea. In a year before Alexey Akindinov, the participant of the mentioned project, within the personal exhibition "In total Pattern" put forward the similar concept as the central idea of the art credo. And if the separate works of modern artists showing movement in this direction, still it is possible to find occasionally, conceptual generalizations within the collective statement in the form of exhibition projects can't almost be found. That that in 2003 in the same gallery under a banner of the same concept there took place a collective exhibition easel and generally pictorial works "Ornament music" is more considerable. The collective exhibition projects beating a subject of ornamental easel composition, pass from time to time in Ryazan mainly at an initiative of artist Alexey Akindinov."
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P. 96. Sketch illustration to Alexey Akindinov's picture – "Astrologer". 1998. Paper, graphitic pencil.
             In the text it is a question of updating of style of Alexey Akindinov – "ornamentalism" and its exhibition projects devoted to this direction in art. Sources are specified: publications in "paper" mass media (the Novaya Gazeta Newspaper, No. 45 P (1210) 20 - 26 of November 2006, Monday, Vera Novikova's article "Color or the line? ", p. 7, and the Ryazanskiye Vedomosti newspaper, Wednesday, November 22, 2006, p. 3, Vladlen Gordiyenko "Ornamentalnost" in Ryazan), and on the All-Russian television channels.
             The quote from Maksimilyan Presnyakov's text: "Artist Alexey Akindinov, the initiator and the curator of the majority of projects of this sort, thinks of these exhibitions as an important stage of updating of the style called by it "ornamentalizm" which he purposefully develops many years, bringing him out of the rhythmic graphic reflections and structural stylistic searches. In 2006 Alexey Akindinov designated 10-year anniversary of "ornamentalism" the collective exhibition “OrnaMentalnost” project which got to “Kultura” TV channel announcements. Practically all pictures of this artist executed by oil paints on a canvas as if are weaved from an ornament."

Maksimilyan Presnyakov's article "Alexey Akindinov's story about his personal opening of idea of an ornamentalism."
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P. 205. Appendix No. 2. "Alexey Akindinov's story about his personal opening of idea of an ornamentalism. " A sketch illustration to Alexey Akindinov's picture "Snow queen". 2001, paper, graphitic pencil.
             The quote (interview Maksimilyan Presnyakov takes): "- Ornamentalism in your pictures appeared as improvisation or how judgment of the heritage saved up by art?
          -  I studied in student's group of the Ryazan art school of G.K.Vagner of the 90th. The main tendencies and the thoughts soaring in our group – self-expression of the artist and his otlichitelnost in the fine arts, search of new forms. Everyone on the looked for. Tendencies to an ornamentation in our collective appeared in 1995, when group of young students: Sergey Preobrazhensky, Sergey Surov, Dmitry Kuvayev and I, restored Boris and Gleb's temple in Ryazan. On a debt being before frescos and an iconostasis, at subconscious level we absorbed love to a pattern and addiction to it. But then it didn't take shape in the conceptual direction. Just there were first drawings in the similar direction. About the theory and speech wasn't. In 1996 we have first attempts …"
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P. 206. Appendix No. 2. "Alexey Akindinov's story about his personal opening of idea of an ornamentalism. "
The quote (interview Maksimilyan Presnyakov takes):
                Alexey Akindinov: "In 1996 we have first attempts to reveal an ornament in easel painting as the main character. Except me, wrote the pictures in similar "key": Sergey Preobrazhensky and Tatyana Yevstigneyeva both of them were my classmates. Tatyana Evstegneeva looking at ours with Sergey experiments in painting, I told me - "I also as well as you came to a conclusion, something that us learned to go from the general to the particular it it isn't right. It is necessary to go from fine details, creating from them a picture of the whole. Only it isn't necessary to look for style, he itself(himself) will appear when time will come. "

                  Tatyana tragicly was lost (it was killed by a poison prick) fall of 1999. In two days prior to her death it dreamed me - I took it on hands and bore in a bathtub to wash, and having washed it, covered a face with its transparent shroud … Her not numerous pictures and graphic works were stored in walls of children's art gallery after her death. The manner of this author reminded image crystallization, its crushing on small components. It looked not busily and organically.
                  Sergey Preobrazhensky initially possessed bright the expressed manner of the letter. It differed locality, an obobshchyonnost of forms and colors, the decision reminded the mosaic poster. (At his many pictures of 1999-2002 there was an ornament). On one of viewings in RHU it told - "I thought up new style, decided to write pictures open, pure colors, directly from tubes". It has on me very strong impact both as the artist and as the instructor. As it constantly without sparing, I spoke to me about my searches in painting.
                - Ornamentalism not as the direction, but it is rather as special structural filling of easel painting is noted in Russia from 1970th and 1980th by at least two names of artists – Konstantin Kuznetsov and Roman Krivosheyev though terminological justification of their stylistic finds appeared a little later. But, probably, this information wasn't so available earlier, and therefore much had to go in this direction the way. What was starting points in your movement to ornamentalistichesky approach in easel painting?
                - Before I came to use of ornamental structures in painting I imitated Salvador Dalí. Sergey, seeing my pictures of that period I spoke to me - "Alexey, it everything already was, don't repeat, look for further". Similar responses weren't pleasant to me, but they forced me to go further in the searches of the style. In 1996 during restoration of  Skorbyashchensky church (the same structure of students) in my visual perception of the world there were interesting changes … After I recovered, and having got home slept, having opened eyes in the morning, saw in the imagination, the person drinking from a mug. The ornament decorating a mug, gradually flowed on a hand to the character, then on his face."
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P. 207. Appendix No. 2. "Alexey Akindinov's story about his personal opening of idea of an ornamentalism. "
The quote (interview Maksimilyan Presnyakov takes):
              Alexey Akindinov: "The ornament decorating a mug, gradually flowed on a hand to the character, then on his face. And in some instants, all visible space it was tightened by whimsical ornamental lace. At this moment I understood – here this that – that I looked for. It was the first intelligent experience which led me to creation of the first pictures with application of an ornamentation and its implantation in the image of other subjects. I wrote some pictures in a similar manner and having shown on viewing, sounded the idea so – "I set for myself a task – to create new style in art. Idea that all reality has to cover a pattern as if accumulating on everything that we see". My statement and my pictures caused in different teachers not unambiguous reaction. Victor Vasilyevich Korsakov told "It is very complex challenge for the student of RHU besides that here it is necessary studies drawing, painting and composition bases, you still want to open the new direction. But it is curious. Dare" Gubanchikov told - "On these pictures it is necessary to put either five, or two. I think are five". Alexey Kozlov told - "Very courageous decision, and already for this courage it is necessary to put the highest mark. It as light at the end of a tunnel. As the phenomenon which we waited long ago, and its everything wasn't. And here it! " Alexander Kovalyov acted at once with council as it is possible to develop the similar decision, having told "Time you have an idea on a covering a pattern of all visible world, it is possible to prepare a relief canvas with a pattern and from above to write a subject picture, but think itself as it will be. Let the artist dig …"

              There was also one more my adherent those years - the student of parallel course RHU - Andrey Nazarov. In pagan plots, not busily it interwove ornamental motives. Both in painting, and in the schedule it turned out at it very yuvelirno, not for nothing it was trained three years in the village Red (Kostroma). Having seen my pictures with pattern application, he suggested me to create with it a creative tandem - to write joint pictures. And one idea deserves the greatest interest: to write one picture on one subject, only in the beginning one sites of a picture one author will write, and not to mention others. Then the written sites needed to be closed not transparent paper and other artist wrote on этод - a plot the picture (without seeing work of another). And after that paper was removed and there came the moment of the birth of a new picture.
              (Presnyakov Maksimilyan) – it is curious that later when we were in common exposed in Gallery Club, Andrey Nazarov suggested also to me to do collaborations. Having impressed with my author's ornamental development, he began to argue that he can write the work middle, and I can make an ornament on perimeter. As at me was more than enough ideas besides ornamental, I had to refuse this invention".
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P. 208. Appendix No. 2. "Alexey Akindinov's story about his personal opening of idea of an ornamentalism. " The quote (interview Maksimilyan Presnyakov takes):
                - (Maksimilyan Presnyakov) - When ornamentalistichesky ideas, at your look, were presented for the first time in the form of a conceptual exhibition in Ryazan?
                - (Alexey Akindinov) - In 1998 I held the first personal exhibition in the Ryazan art school, having shown a big series of ornamental painting. Demonstration of a subject of an ornament in easel painting was the purpose of an exhibition. At exhibition opening, teacher Natalia Tyukina (sculptor) told - "Now it will be interesting to see from you an embodiment of this idea in other art forms, for example in a sculpture how it will be?"
                At that time, except above-mentioned students I had also other adherents. In the newspaper – "The Ryazan Sheets. ", Wednesday, February 24, 1999 No. 41 (486) - in the article "Dream of the Boy …" about study and glory" author Elena Bannikova were published the short principles of my ornamental vision of the world.
                At the beginning of 2000 in the Museum of history of youth movement there took place my personal exhibition "In total Pattern" which continued an ornamentalizm subject for Ryazan. In the newspaper - "The Ryazan Sheets", Thursday February 24, 2000 No. 35 (774) in article - "Alexey Akindinov's all patterns", p. 4, author Tatyana Bannikova, these principles were stated already in more detail.
                 At the end of 2000 in Ryazan there was a conceptual association of artists who in one way or another (it isn't dependent from each other) developed an ornamentalizm subject in painting. It already was the collective exhibition project "Mesh Image" - the exhibition which was taking place in walls of Gallery club of Regional Junior library.
              - (Maksimilyan Presnyakov) – I Remember this exhibition project. His idea took shape at me after several group exhibitions at which very different plastic courses and stylistic development were compared. As this idea, it is possible to tell, I soared in air, probably, already and not all remember, from where it undertook. By comparison of different graphic languages there is almost verbalizirovanny image of semantic moire which is formed, maybe, at the level of a sinesteziya. From these associations, from judgment of some phenomena known to me described in psychology, also there was at me this idea. You, probably, have associations which can transfer a vision to an image ornamental?
              - (Alexey Akindinov) – Many thoughts and abstract ideas are presented to me in an image of an ornament. Even all life situation as a whole, set of my my experiences and impressions at any level is represented to me in the form of an ornament. By the way, and people can be perceived by means of ornamental images. And these ornamental structures not stiffened, they can move, change. These ornaments can change very strongly at someone over time, they can be someone more refined or opposite - simpler. I know also people to whom I have no ornamental association …."
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P. 209. Appendix No. 2. "Alexey Akindinov's story about his personal opening of idea of an ornamentalism. " The quote (interview Maksimilyan Presnyakov takes):
                 - (Maksimilyan Presnyakov) – It is possible to assume that their ornamental beginning or very slowly crystallizes, or changes so quickly that it can't almost be caught and recorded even at mental level.
                 - (Alexey Akindinov) – Probably …

                  (2011. January – February)
                                                             ***
                 - (Maksimilyan Presnyakov) – an Ornament used during these or those eras, in these or those cultures is connected by special characteristics with the corresponding outlooks, with outlook. It is mentioned at many art critics. But this analysis is, as a rule, limited to level of signs, symbols and simple associations. The ornament in pictures and in graphic sheets arises, probably, also in that case when the artist tries graphic means to transfer something, besides visible and literally taken, additional measurements of thought, space when the artist isn't satisfied by means of classical painting and classical prospect …
                 - (Alexey Akindinov) - More than a century ago, mathematician Henri Poincare made known mental experiment with the rope which has done a big way through all Universe. I won't describe a detail of this experiment. But I want to note that during the twentieth century some scientists dealing with this issue came to very interesting opening. 
                 - (Maksimilyan Presnyakov) – Nevertheless It is necessary to tell about it a little in more detail.
                
- (Alexey Akindinov) - It is necessary to mention two from them which, in my opinion, are related to an ornamentalism in science and the fine arts.
                   1) Stephen Smale, mathematician. In 1958 it surprised the scientific world with idea "to turn inside out" the sphere in the three-dimensional space, further called paradox of his name. "What if the Universe was not трёхмерна if in it there were four measurements or five? " - Smale asked such question. The problem of knots on imagined to "Poincare's rope" was essential to mathematicians. In space with a large number of measurements this problem is absent. 
                   It is easy to describe Smale's idea, having looked at an attraction of "the Russian hills". In ours - three-dimensional space of the machine freely move on twisting rails if to look at a shadow from hills – rails form freakish, repeatedly being crossed bends of lines which it is difficult to understand. On the earth plane (where a shadow), in the world of two measurements, rails are crossed and tied in knots, creating something reminding patterns. And if again to look at the three-dimensional image – rails naturally aren't crossed. Having increased number of measurements from the 2nd to the 3rd, it became clear that rails aren't crossed and not tied in knots. Too most for a hypothesis Poincare, Smale solved a problem of knots for the highest dimensions, still not allowed for three measurements."
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P. 210. Appendix No. 2. "Alexey Akindinov's story about his personal opening of idea of an ornamentalism. "
The quote (interview Maksimilyan Presnyakov takes):
                  - (Alexey Akindinov) "-Too most for a hypothesis Poincare, Smale solved a problem of knots for the highest dimensions, still not allowed for three measurements. Having confirmed Poincare's hypothesis for 5 and more measurements, in 1966 Smale was awarded by a medal Fildsa. 
                   2) William Tyorston, the mathematician by the nickname "Wizard". It entered new methodology. On Poincare's hypothesis if a rope, to throw in the Universe and it which has come back back, it will be possible to involve entirely – the Universe is spheric. And if it doesn't turn out? On what the Universe is similar? On a steering-wheel or something another? Poincare didn't ask this question, and Tyorston was puzzled – "If the Universe isn't spheric what it could have a form? " It pushed him to a new technique. William believed that a problem of topology is to find and classify possible varieties. Tyorston looked for examples round himself, began to develop classification of varieties - topological forms. Orange can be ranked as the sphere as subjects can be allocated with existence and quantity of openings. These searches brought (in ten years from their beginning), essential fruits. In 1982 he made a hypothesis, having suggested that "… what - was a Universe form, it can be made of no more than eight types of basic components". This assumption received the name "Hypothesis of Geometrization of Tyorston". It reminds the principle of a kaleidoscope. In a kaleidoscope we see variety of patterns. But all these difficult patterns are formed by a combination of limited quantity of multi-colored fragments of glass. On Tyorston's hypothesis our Universe is arranged in this way. At all the complexity – it consists of at most eight basic components. "Final objects form an infinite number of combinations and in the same way compact varieties form object which seems made of an infinite number of components" - Tyorston speaks.  
                  - (Maksimilyan Presnyakov) – However, the scheme of a kaleidoscope is too simple for an illustration of these ideas, I even would tell that is too primitive. Pictures of a kaleidoscope can prompt a certain thought, can hint at something, but can't appear sufficient means of expression of thought. It is possible to note with regret that deep ideas in art can be noticed very much not by many even at the level of the world scale as the very few can estimate ideas, hypotheses and proofs of modern mathematicians and physicists. At the same time that is remarkable, modern mathematics and the physics based on systemacity first of all to the European thought, many opening and enlightenments repeat ways of thinkers different others including east civilizations which have begun the cultural construction earlier, in particular, it is possible to remember a civilization Indian. Many courses of thought of the modern science describing processes and the phenomena in the physical and mathematical worlds, it is possible to call the descriptions made by means of other (new) terms, "as if" processes and the phenomena already known …"
presnyakov-20
P. 211. Appendix No. 2. "Alexey Akindinov's story about his personal opening of idea of an ornamentalism. " The quote (interview Maksimilyan Presnyakov takes):
                   -"Many courses of thought of the modern science describing processes and the phenomena in the physical and mathematical worlds, it is possible to call the descriptions made by means of other (new) terms, "as if" processes and the phenomena already known. Multidimensionality and is a lot of dimension of a physical continuum, its "mnogostrukturnost" is described by east philosophers by means of various systems of the terms which often have and mystical background. And east twiddle as if to some extent and these or those forms fixed and fixes, that is shows these achievements by means of visible images and structures. 
                  - (Alexey Akindinov) - Strangely enough, but scientific ideas go "hand in hand" with ideas of the fine arts, confirming and complementing each other.
                  - (Maksimilyan Presnyakov) – However, is interesting accent in systemacity of modern scientific thought on terms and descriptions of that is called as "movement". By means of this image different descriptions of multidimensionality and a strukturnost are under construction …
                  - (Alexey Akindinov) - Having taken for an example Stephen Smale's idea (about a shadow from "the Russian hills") it is possible to assume safely that an ornament applied in the fine arts, and in particular in easel painting, in particular, when the pattern accumulates on the subjects, a represented plot, is a projection (scheme) of the highest measurements.   Pictures or the graphic works comprising ornamental structure or the invoice, bear in themselves reflection more than three measurements and are certain "doors" or "windows" in new space. 
                    Tyorston's hypothesis (about a kaleidoscope) considerably expands understanding of structure of space of the Universe and confirms its ornamental basis.

                    (2012. August-September)".

To study the text and illustrations in more detail, it is possible in the section "Publications">>>


3). In the section "Graphics" - "Composite sketches, etudes and sketches" are published earlier not digitized graphic sketches to Alexey Akindinov's pictures, the period: 1999-2001.
medvejatnik-graphics
Sketch "Safecracker". 25,5 x 20,8sm, paper and pencil. 2000.
baloven-graphics
The sketch to the picture "Spoilt child". 35х35sm, paper, graphitic pencil. 2000.
zero-graphics
The sketch to the picture "Zerro". 35х42,7sm, paper, graphitic pencil. 1999г.с.
zamorozki-graphics
The sketch to the picture "Freezing". 40х36,2sm, paper, graphitic pencil. 2001.
elektrik-graphics
The sketch to the picture "Electrician". 19х24,3sm, paper, graphitic pencil. 1999.
rudnik-graphics
The sketch to a picture "Mine". 24,3х30sm, paper, graphitic pencil. 1999.

To consider works in details, it is possible in appropriate section - "Composite sketches, etudes and sketches">>>


4) The state showroom "On Kashirka" (Moscow), in December, 2013, plans carrying out a collective exhibition – "Ornamentalism Terra Incognita". Details and participation conditions on a site of the State showroom "On Kashirka". (text in Russian)>>>

 

 

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